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Rise of the Life Magician
Episode 322 Vermilion Steel Weapons

Episode 322 Vermilion Steel Weapons

Métis asks what the combination of and can do and tells him what she is interested in.

'With that combination, the properties of the other D-particle secondary mutations are no longer available.'

 I have to admit that I am a bit reluctant to point out the sore spot. But there is a solution. <The "organization" is not originally limited to only two characteristics, but only two because my ability to interfere with the D-particles is limited to two.

 I am thinking that if I train my ability to interfere with D-particles according to the "Interference Force Training Method," I may be able to increase the number of properties that can be put together. When I informed Métis of this, he told me to work hard on my training.

'By the way, now that you have the Lindtvurm Shadow Magic Stone, are you going to make a flying dragon-type shadow puppet?'

Of course."

I wonder if it is possible to make a shadow puppet that can fly. And if you could make one, what would you use it for?'

 Real flying dragons are said to fly with magic power on their wings. I don't know what kind of special power is generated. I don't know how it works, but if it uses magic power, it would need a magic battery.

'Is the purpose to create a shadow puppet of Lindtvurm? Maybe to deal with flying demons or for reconnaissance."

'When it comes to dealing with flying demons, you will need a large shadow puppet. It will be difficult to get them out of the shadows in this mansion.'

 It would be a problem if a large flying dragon flew over the mansion. We should make a small flying dragon for scouting. But for reconnaissance, we need a sorcery eye with a sensory sharing function. I wonder when Ryujima, the only one in Japan who can make it, will return from France.

I don't even know where to start."

In that case, I would recommend making weapons. We may need the funds once we receive permission to establish Battalion.

Métis is very active in Battalion activities."

I think what Mr. Grimm needs is connections and collaborators. I've been researching wise men, and it seems that each wise man has a 'wise man's vassal,' a collaborator.

I wonder if Ms. Clarice is also a 'wise vassal' of Mr. Emilian?"

'That may be so. I know this is off topic, but I think it's important for Battalion to increase such collaborators.'

 Metis says that funds are also needed to run Battaglion. If Battalion produces outstanding adventurers, it may get sponsors. If that happens, Battalion will begin to grow and become a nationwide organization.

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 I hear that some overseas batallions have more than 10,000 members. Métis wants to create such an organization. For my part, I think it is fine to have a small elite group, but for the purpose of making the existence of life magic widely known to the world, a large organization is a shortcut.

 Either way, we needed to make funds, so we decided to make magic weapons.

 The next day, I started making the metal with the characteristics in the morning. First, he changed 20 kilograms of vermillion steel into a metal with the properties of and .

 When I searched for a blacksmith who could make weapons made of vermillion steel, the names of two blacksmiths, Kichijoji and Furuya, came up. Kichijoji had been asked to make the Kikuchi spear in the past, but it seems that he specializes in white bright steel rather than vermillion steel.

 Furuya, on the other hand, specializes in shu-hagane, but is apparently a sword smith who makes Western weapons despite being Japanese. The longsword Furuya makes is sturdy and is used to strike through using its weight.

 I ordered nine swords made of special red steel from Furuya for a hefty price. I left it up to Furuya to decide what kind of swords they should be. The swords had to be practical.

 In addition to ordinary long swords, Furuya also made thin swords and bastard swords. The distinctive feature of these swords is that the blood groove on the sword blade is made to float the Brahma script, which represents the Buddhist Myoo.

 The finished sword was then sheathed by Japanese craftsmen, and the hilt and other parts were finished. The sword looks like a work of art, but when held in the hand, it proves to be a heavy and practical weapon.

 I took the finished swords back to the mansion, laid them out on the table, and checked them with the appraisal monocle. They were all labeled as High King level magical weapons.

 The Kikuchi spear, for example, which was made with characteristic white bright steel, was a warrior class near the high king class, but the magic weapon made with characteristic red steel seems to have been classified as a high king class.

If you're going to put it up for auction, I'd suggest putting it up for auction in an American or European auction house."

 In Métis's opinion, the percentage of adventurers who use Western swords is higher overseas than in Japan, so if they were to be auctioned overseas, they would fetch a high price.

 Although the procedures for putting them up for auction overseas are cumbersome, I thought it was worth the trouble, so I put them up for sale at an auction house in the United States.

 The High King class magic weapon that was offered as part of the Meio series sold for a price that surprised me. When I heard that a bastard sword was sold for nearly 500 million yen, I was so surprised that my eyes popped out of my head.

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 When the auction was over, Tatsushima returned from France. When I learned of this, I made an appointment and went to see Tatsushima.

Long time no see.

It has been a long time. I wanted to ask Mr. Tatsushima for a job, but he was in France, so I waited for him."

 Tatsushima looks reluctant.

It's tactless to talk about work as soon as you get home."

I'm sorry. I really wanted a sorcery eye with sensory sharing capabilities."

I figured it would be something like that. But I'm tired, and I don't intend to work for the time being."

Can we do something about that?"

"Yes. I do not work, but I can introduce you to the apprentices to whom I have passed on my skills."

 It is said that Tatsushima taught his apprentice techniques in France.

Really? Please."

Don't be hasty. There is a condition for introduction. I have been to France and seen various shadow puppets. It seems that the technology is developing faster in France, and I am feeling down. So, if you show me that there are great shadow puppets in Japan, I will introduce them to you."

 Tatsushima saw that the shadow puppet industry in France was developing at a tremendous pace, and he was disappointed at how slow Japan was.

It looks like it's my turn."

 Metis' voice echoed in my head.

I understand. Then I will show you my partner."

"Well, you sound confident."

 When Elmore comes out of my shadow, Tatsushima is surprised to hear him say 'Ugh' and leave his mouth wide open. His eyes begin to sparkle as Elmore bows gracefully.

"......What is a humanoid shadow puppet?"......While I was in France, it seems that shadow puppet technology has advanced in Japan as well."

 The result is a pass. I'm Joel Kiryu, an apprentice from Ryujima.

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I was introduced to a He is a 30-something Japanese-French magician and a genius who is learning Ryujima's techniques. He is now in Japan and continues to learn from Ryujima.

 I ordered two sets of sorcery eyes, one for a small flying dragon, one for the new versions of Elmore and Tamegoro, and one with a sensory sharing function for the frog type.