They said I killed a snake. I did. A poisonous
cobra inhabited the wet grass near the
bamboo thickets that grew near the Yamuna
River. Some of my friends had spotted it, and
they said it was almost twelve feet long with
a hood the size of a small room. It had
always lived there, its poison turning the
water a darker, murky brown.
I had personally never seen the cobra,
probably because I rarely ventured towards
the bamboo thickets. I preferred the cooler
shade of the kadam trees, and ma had in a fit
of paranoia had forbidden me from going to
the river at all, forget the part said to be the
haunt of the dreaded Kalia Naag, the cobra I
ended up killing.
This is how it happened. Radha liked to
make my flutes. My flute was the bansuri,
made from a single hollow shaft of bamboo.
It was painful and time taking work. The
bamboo had to be cut down to an exact
length, and the holes made keeping in mind
the pitch. It required precision, a refined
sense of music, tonality, a steady hand.
Radha made my bansuri because she could,
and also because she could not bear to have
someone else shape the one object I held in
my hands and kept with me always. The
bansuri was not just an instrument I loved. It
was a piece of her, crafted by her that I
carried with me all the time. It was her hands
that carved the hole into which my lips blew
to create the music that touched not just
everyone's heart but their very souls.
It is the maker of the bansuri who tunes it.
The maker creates the hole and plays the first
note. The hole must be enlarged if the note
does not sound right. Radha made my
bansuris. She was the first to bring the yet
unfinished bansuri to her lips. I played the
bansuri she kissed, laying my lips at the very
spot hers had been, and the sound of love
that the world heard when I played, its
genesis lay in that very first kiss where our
lips never met.
Radha went to fetch the perfect piece of
bamboo to make my flute, my bansuri. She
went to the grove said to be inhabited by
Kalia, the twelve feet long, hooded cobra.
The grove where no birds or animals
approached, and she went there for me. She
thought she had found what she was looking
for when she heard a hissing in the grass
nearer the waters of the Yamuna.
As Radha looked towards the noise, she saw
the forked tongue of the beast flick out,
This tale has been unlawfully lifted from Royal Road. If you spot it on Amazon, please report it.
almost as if smelling her before an attack.
Radha has always been the bravest person I
have known. But at that moment, she was
terrified. She had heard the tales of the
deadly snake from our friends and Pindaka,
so she ran back towards where we played our
silly boyish games, my rag-tag bunch of
friends and me.
I heard Radha running, and she nearly
collapsed by the time she reached my arms.
"I think I just saw Kalia. It flicked its tongue
out at me." She was breathing in huge gasps
and taking in gulps of air, holding on to her
side. Kinki, a friend, ran to get some water
for her to drink.
Radha’s fear and helplessness did what very
few could do. It angered me. Enraged by the
creature that had troubled Radha, I headed
towards the bamboo groves at the banks of
the Yamuna. I did not have to look for it. It
stood almost erect on its tail, a third of its
body in the air, ready to strike out. The hood
spread out it, threatening, intimidating. I saw
it flick its tongue, and it brought back the
image of a scared and breathless Radha. I
would not let that tongue flick out again.
I circled Kalia, staying a good ten feet away.
Moving fast, I lunged at the cobra's tail
grasping it in my hand. The snake squirmed.
It twisted itself into coils, desperate to get its
fangs into me. But I was faster and could
easily dodge its strike. Kalia wrapped his
length around me, dragging me towards the
river, possibly assuming I would be weaker
in the water. I could feel the snake's hold
grow tighter as it tried to crush me. I kept my
bansuri tucked into my waistband. I pulled it
free, breaking it so that I may have a jagged
edge which I pushed into the snake. Kalia
was a monstrosity, but he was a snake with
soft skin on the back. My bansuri used as a
butcher's knife freed me from the hold of the
cobra, although it continued to hiss and spit
venom, injured but still strong enough to kill.
But I was no ordinary ten-year-old boy. I
kept my grip on the snake's tail. Soon
enough, I felt Kaila tire. With one mighty
heave, I swung the twelve feet cobra with my
ten-year-old hand like a lasso and brought its
hood down on the banks of the Yamuna
River. Kalia was spent. I raised my left foot
and brought it down on the hood of the
cobra, raising my right hand clutching my
broken bansuri in a moment of triumph, and
that is how my friends found me when they
reached the bamboo groves.
Those stories you heard of me dancing on the
hood of a subdued Kalia, merrily playing my
bansuri- like I keep saying, just stories. A
fictionalized account of what people saw.
But these stories built the idea of me, so I let
them add little changes as they recounted my
exploits, embellishing them with details that
turned me from one of them to so much
more. I might not have been God. They
ensured I became God.