[Notice to reader - Please be aware that this document is in a crude state. This is just the script of a graphic novel/comic book. The art pages have been lost and many pages of the script have been lost as well or have yet to be recovered due to their classification with the US government. Pages will be transmitted  to you and other readers if they are tracked down - signed (blacked out) - leader of the resistance ]

MONTAGE 1 

SCR3-1

SCENE 1.

SCREEN 1 (PANEL) 1.

INTERIORS homes - Various locations

A series of people being notified to take action

We see a woman painting on an immense canvas

(PANEL) 2.

A man typing on an antique typewriter

(PANEL) 3.

A man in a yoga type pose

(PANEL) 4.

A man working on a device in a mechanical shop

(PANEL) 5.

A woman doing calculations on a chalk board in her home.

(PANEL) 6.

We follow them all into various rooms in their homes. We see them close the doors behind them once inside.

(PANEL) 7.

Then we watch them all slowly disappear....

MONTAGE 2

SCR3-1

SCENE 1. 

SCREEN 2 (PANEL) 1.

INT. ROARK'S CAR

We see Gunner and Lightfield in Roark's (gunner's partner) car.

GUNNER

Are you feeling better? Do you feel any serious after effects from that device?

(PANEL) 2.

LIGHTFIELD

Yes. I'll be OK. 

(Beat)

I'm sorry about your partner. 

GUNNER

You shouldn't feel responsible... you seem to be one of the few people trying to do what is right. Maybe the only one.

Right now we have to stay focused on keeping you alive. The info you seem to have these people don't want getting loose. I suspect things are about to get a lot worse. Take these glasses and monitor the news. We need to gather as much information as we can.

MONTAGE 3

SCR3-1

SCENE 1.

SCREEN 3 (PANEL) 1.

INT SUPERMARKET PRESS DARK ROOM

River is watching the photographs develop. We see THE MACHINE coming into view.

RIVER

Oh my god. I've seen that before... but where?

That's it... the "comic book conspiracy theorist".....

River starts going back through his memory..

(PANEL) 2.

In comes River's boss... 

RIVER

Where have you been? I meed to talk to you.. immmmmediately. 

CHIEF

I need to talk to you, too. I have an assignment for you. We have many witnesses who saw this saucer that the government is trying to cover-up and we need you to work your magic.. Check your email. I sent you a message already

(PANEL) 3.

RIVER

That's all wrong, chief! That's what I need to talk to you about!

SCENE 2.

(PANEL) 4.

INT. CHIEF'S OFFICE

The Chief rushes into his office before River can finish. 

River runs in after him.

RIVER

(River pushes everyone out of the room)

Chief, we have to stop everything and get everyone working on this and there isn't a moment to spare.... 

CHIEF

Okay! Okay! What is it?

(PANEL) 5.

RIVER

Listen... I was almost killed! Do you understand? I saw these people threatening and detaining people...

They had actors pretending to be witnesses... they detained anyone who wouldn't cow down to them, under false pretenses! I have it all documented on audio tape and with pictures... and I know who this kid is.. This Lightfield kid... 

I have a picture of the device that flew up in the sky and it wasn't aliens and it wasn't a bomb... do you understand?

SCREEN 3 (PANEL) 6.

CHIEF

Listen, kid... we aren't equipped to handle what you are detailing. It's too big. We've encountered things like this before. It's best if you take this to the mainstream media or the Feds. Let them deal with it. Who have you told about this?

RIVER

Don't you think I have already thought of that? But I don't know who to trust and who not to trust. Whoever this group is they could have people involved everywhere.

(PANEL) 7.

CHIEF

(While leading River to the door)

I think you're blowing this whole thing out of proportion kid. These are different times.. all the terrorist activity. It's a state of war. The law enforcers have to bend the rules a bit in times like this.. For the benefit of all. No system is perfect... 

But listen.. Whatever you decide to do you make sure you bring copies of all the evidence to me as an insurance policy for yourself whatever happens. 

I'll put it in the vault. Now I gotta go, kid. I've got to get some reporters over to these contacts who saw the saucers.

RIVER

(Through a closed door we see from the Chief's POV)

Chief, those contacts may be associated with these groups(or "with the conspirators")!

(PANEL) 8.

We see River's Chief dialing a number.

SCENE 3.

(PANEL) 9.

INT. CIA CONTROL CENTER

We see this communication being delivered to a control center.

The Chief begins conveying the info he has to the control center.

(PANEL) 10.

We see the man with the scar at the control center contacting Dr. Forestall and Agent Jones.

SCENE 4.

(PANEL) 11.

EXT. NYC

We also see our insect friends activated again.

Insects begin taking flight.

(PANEL) 12.

Many agents being notified and en route.

SCENE 5.

(PANEL) 13.

EXT. SUPERMARKET PRESS ENTRANCE

Chief starts walking from the door and takes his cell phone out and calls Matilda.

MONTAGE 1 

SCR3-2

SCENE 2.

SCREEN 1. (PANEL) 8. 

TV Screen

REPORTER

Yes, Roger. Firefighters are responding to the scene of the devastation at the FBI building.

Residents have begun evacuating the the city fearing this is just the beginning.

Law enforcement urge anyone to contact them who has information leading to the apprehension of the suspects - FBI Special Agent Gunkowski and Grim Lightfield.

SCENE 3. (PANEL) 9.

INT. VARIOUS HOMES

We are back with the mysterious assortment of people who just disappeared... we watch them disappear again, this time seeing their invisible forms.. 

They all begin communicating with their minds as they glide like ghosts through the walls of their homes and out into the environment.

LUMINARY ONE - SUN (GOLD)

Confirm search and destroy mission - ground zero.

LUMINARY FIVE - MERCURY (MERCURY)

40.7128° N, 74.0059° W. Confirmed. Target data confirmed.

LUMINARY FOUR - MARS (IRON)

40.7128° N, 74.0059° W. Confirmed

Target data confirmed.

LUMINARY THREE - JUPITER (TIN)

40.7128° N, 74.0059° W. Confirmed

Target data confirmed.

LUMINARY TWO - VENUS (COPPER)

40.7128° N, 74.0059° W. Confirmed

Target data confirmed.

MONTAGE 2

SCR3-2

SCENE 1. 

SCREEN 2 (PANEL) 3.

IFRAMES view of several news channels.

We see news reports of police beginning to arrive at the FBI building. 

(PANEL) 4.

Hear reports on police scanners about a firefight at the FBI building.

MONTAGE 3

SCR3-2

SCENE 6.

SCREEN 3 (PANEL) 14.

INT. SUPERMARKET PRESS

River is talking to matilda...

MATILDA

Ok. I got you Agent Gunkowski's file..

RIVER

Listen Matilda.. I know.. 

(PANEL) 15.

MATILDA

Hold on... phone..

CHIEF

(while watching what's going on out in the newsroom)

Don't say my name, don't let River know it's me... 

(PANEL) 16.

River is preoccupied with his new revelation about Lightfield and goes looking for the file

RIVER

I'll be right back!

MATILDA

(really talking to the Chief)

Hi.... Sara.

CHIEF

I need you to make sure River gets his evidence to me from the scene last night. Don't let him know who this is... don't tell him about this conversation or that I'm worried he might be in danger... I know some folks in high places who can look at that evidence and keep him and us in safe hands. Don't worry him. It sounds like he's been through enough tonight.

(PANEL) 17.

MATILDA

Will do. I'm on it.

CHIEF

Good girl. I'm going to take off for awhile. Let me know if anything comes up.

MONTAGE 1 

SCR3-3

SCENE 4.

SCREEN 1. (PANEL) 10. 

EXT. GROUND ZERO OF FBI BUILDING RUBBLE

Ghostly human forms alight down to the buildings smoking wreckage.

Systematically sweeping the location for data. 

LUMINARY THREE - JUPITER

Biological data streaming.

We see a list of biological signatures amassing and an image of the scene overlaying the image.

We see a trail of faint tiny colored dust particles exiting what was the FBI building trailing out to the street. The Luminaries focus in on this trail.

LUMINARY FOUR - MARS

Time remaining - bio trail - approximately 2 hours by foot or open window vehicle, 15 minutes by enclosed auto.

MONTAGE 2

SCR3-3

SCENE 2. 

EXT. NYC STREET

SCREEN 2 (PANEL) 5.

The Asian woman sees the story on her phone

(PANEL) 6.

And calls the media to report seeing Gunner and Lightfield leaving the FBI building in a unmarked FBI vehicle.

MONTAGE 3

SCR3-3

SCENE 7.

SCREEN 3 (PANEL) 18.

INT Supermarket Press File room

River is in a big file room.. He finds a special file cabinet entitled "loony bin" and starts going through files...

MONTAGE 1 

SCR3-4

SCENE 5.

SCREEN 1 (PANEL) 11. 

Ext Supermarket press front entrance 

We see the chief walking out as the insects land on the surrounding buildings.

SCENE 6.

SCREEN 1 (PANEL) 12.

The Luminaries begin rising in the night sky tracking the spread of the colored dust.

LUMINARY TWO - VENUS

Reported sightings by eyewitnesses data points displayed.

We see colored data points displaying at each location of the reported sightings.

LUMINARY TWO - VENUS

Cross referenced data point checks.

We see the witness data points shrink to a much smaller percentage and it creates a new colored stream that matches the bio stream...

LUMINARY FOUR - MARS

We have a data lock. 

LUMINARY ONE - SUN

Continue residuum pursuit to conclusion.

MONTAGE 2

SCR3-4

SCENE 3. 

SCREEN 2 (PANEL) 7.

REPORTER

Breaking news - The pandemonium in New York City has escalated to an even more unbelievable level. We are getting reports that the FBI building has been completely destroyed by a blast of some kind..

Remarkably the CIA already has evidence showing the suspects leaving the scene

They're calling it - the new 9-11.

MONTAGE 3

SCR3-4

SCENE 8.

CONT. - INT Supermarket Press File room

SCENE 3.

SCREEN 3 (PANEL) 19.

Files we see - 

"The ROYAL FAMILY ARE REPTILIANS"

"ATLANTIS IS REAL!"

"THE NAZIS WON WWII"

"SPACE RAY KILLS JFK"

"ATLANTEANS ON THE MOON"

"TELEPORTATION MOON BEAMS" 

"WORLD WIDE GOVERNMENT CONSPIRACY"

"SATAN WORSHIPING FREEMASONS"

"SHARKPOCALYPSE"

"I HAD BIGFOOT'S BABY"

"ALIENS KILLED JFK"

"NAZIS ON THE MOON!"

Etc etc...

River can't seem to find the file he's looking for..

MONTAGE 1 

SCR3-5

SCENE 7.

SCREEN 1 (PANEL) 13.

EXT BACK ENTRANCE - SUPERMARKET PRESS

As River and Matilda leave we see those tiny insects again locking on to River and Matilda 

SCENE 8. 

SCREEN 1 (PANEL) 14.

EXT CENTRAL PARK

The Luminaries descend into Central Park. They are at the location where Gunner and Lightfield parked before running the car into the water.

LUMINARY ONE

The last cross-checked eye witness reports were near this location. They had to have gone underground

here.

They descend again - this time below ground.

We see a diagram of the underground network.

Luminary One mentally contacts the control center.

LUMINARY ONE

Disastrous news to report. They've gone underground. Into the subterranean network.

THE MAN WITH THE SCAR

How could they have known... 

How could they have known we can't trace them underground... 

Agent Gunkowski or Lightfield must be working with a contact within the company...

How could they be in contact...

We will have to do a manual search. It's the only alternative.

MONTAGE 2

SCR3-5

SCENE 3. 

SCREEN 2 (PANEL) 8.

INT. Car NY city street

We see an image of Gunner and Lightfield leaving the FBI building before it is destroyed yet they are wearing different clothes than we saw them just previously. The video is obviously faked.

REPORTER

Police and federal agents are setting up checkpoint roadblocks at all entrances/exits from the city.

LIGHTFIELD

Jesus, they destroyed the FBI building

MONTAGE 3

SCR3-5

SCENE 9.

SCREEN 3 (PANEL) 20.

INT. SUPERMARKET PRESS OFFICE

RIVER

Matilda, do you remember last year when that guy sent us the comic... the conspiracy comic?

MATILDA

The comic book nut?! How could I forget?!

(PANEL) 21.

RIVER

I was just looking for his file in the loony bin... it's not there.. Do you have any idea where it could be?

MATILDA

No, it should be in there.. Why would anyone take it?

(PANEL) 22.

RIVER

That's a great question... I need that comic desperately... do you remember at all what was in the comic? It's imperative we find this info.. Would anyone in the office remember? 

MATILDA

Wait a minute... I just thought of something.. Remember that Westall 66 incident.. That was one of the weirdest things I had ever heard of.. One of those things that makes you wonder about all this stuff. There was something about that in there. 

(PANEL) 23.

RIVER

That's right! I know someone who who works at a tabloid around there. What time is it? It's a decent time over there.. 

River goes for the phone

MATILDA

River.... hold on a sec.. I'm worried... if this whole thing is as big as you say it is we should make sure the chief has a copy of the evidence... it could protect you and all of us in the long run. I'm going to take a copy of this and have him put it in the vault..

(PANEL) 24.

RIVER

That's a good idea. They can't kill me if the evidence exists at least.

Yes, hello, could you be sure to give a message to Jon Grumbel and let him know that River Lotus-eater called and let him know it's urgent he get back to me? Yes please make sure to get this to him.

River types "Westall 66" into the search field.

Articles on Westall 66 - a documentary comes up.

River sees that there was a cover-up of a school that witnessed flying saucers land in they're track field... 

He looks up the local tabloid archives for this time frame and discovers they completely ignored it.

MONTAGE 1 

SCR3-6

SCENE 9

SCREEN 1 (PANEL) 15.

EXT - SUPERMARKET PRESS

CIA agents wait and watch looking for an opportune time to take their target.

MONTAGE 2

SCR3-6

SCENE 4. 

SCREEN 2 (PANEL) 9.

EXT. NYC STREETS

Citizens all over the city are getting images of Gunner and Lightfield. People all over the streets are on the lookout for the terrorists and some are starting to get suspicious as Gunner and Lightfield pass.

(PANEL) 10.

Their car gets stopped at an intersection and they are frozen looking forward afraid too look around drawing attention to themselves but there's no way to avoid being identified.

(PANEL) 11.

People on the streets begin yelling and swarming around the car.

GUNNER

We've got to get out of here. Find some way to hide.

(PANEL) 12.

She drives their car up on the sidewalk to get around the traffic. People begin throwing things at their car. Some cars even start following them up on to the sidewalk in pursuit. 

PEOPLE ATTACKING 

http%3a%2f%2fi.imgur.com%2fMe3DJgp.png [http://i.imgur.com/Me3DJgp.png]

MONTAGE 3

SCR3-6

SCENE 9.

SCREEN 3 (PANEL) 25. 

CONT. - INT. SUPERMARKET PRESS OFFICE

River looks up to see - 

REPORTER

Breaking news - The pandemonium in New York City has escalated to an even more unbelievable level. We are getting reports that the FBI building has been completely destroyed by a blast of some kind..

Remarkably the CIA already has evidence showing the suspects leaving the scene.

They're calling it - the new 9-11.

MONTAGE 1 

SCR3-7

SCENE 10

SCREEN 1 (PANEL) 16.

INT. SUBWAY TUNNELS

The luminaries move to the chamber in the subway tunnels that is a hub branching out in 5 directions.

MONTAGE 2

SCR3-7

SCENE 5. 

SCREEN 2 (PANEL) 13.

INT. ROARK'S CAR

LIGHTFIELD

I have an idea. Go to central park!

GUNNER

Why? We'll be sitting ducks in the park.. We'll never get out...

(PANEL) 14.

LIGHTFIELD

It's the area with the least amount of people for one thing.. But there's something else, too. We can lie low for a while

Plus we're out of options at this point.

MONTAGE 3

SCR3-7

SCENE 9.

SCREEN 3 (PANEL) 26.

CONT. - INT. THE SUPERMARKET PRESS OFFIC

River gets a phone call...

RIVER

(after seeing the FBI building report - with a look of sheer terror)oh my god..

JON GRUMBEL

River, G'day mate (say something else Australian here). You called me before the FBI building was wiped out and it's right around the corner from you.. Got something to tell me mate?

(PANEL) 27.

RIVER

I promise Jon, it wasn't me... I am in deep here though my friend. I need you to do me a favor... this is urgent and I don't have time to go into it too much.. are you familiar with the Westall 66 incident?

JON GRUMBEL

Of course! It's our Roswell incident but even weirder... though most don't know the details and many assume it was just some top secret balloon experiment by the government related to the cold war.

(PANEL) 28.

In the background we see River seeing reports claiming Gunner was involved in the terrorist attack.

RIVER

(pauses a beat seeing Gunner)

What's your take on it all? Have you looked into it much?

JON GRUMBEL

A bit. There was some bloke around here who made a documentary on it. He seemed to have gone through the whole thing with a fine tooth comb and seems to think it was of alien origin. He felt it wasn't possible that we have the technology to do what those things did. 

I have a great mate who is heavily into this who I can contact at this moment. He's looked into this whole thing in depth as well as just about anything else you could imagine related to the paranormal and conspiracy world. What is this all about River? Is this related to the FBI building?

(PANEL) 29.

RIVER

Are you sure you want to know what this is about? The more you know the more danger you might be in. This goes for your friend too.

JON GRUMBEL

Hrm... don't you think it's a bit late for that now River? 

(PANEL) 30.

RIVER

I hope not. But the more I tell you it might guarantee you are in danger. I'm a single guy myself, I know you have a family.

JON GRUMBEL

What if we don't solve this mystery you are working on... will we all still be in danger in the end anyway?

(PANEL) 31.

RIVER

It's possible.

JON GRUMBEL

Then I guess we are all involved already...

(PANEL) 32.

RIVER

Ok, I will send you some photos of what I witnessed. You have heard all about the electromagnetic pulse right?

These are photos of a device I saw flying that created that pulse.

(Matilda is helping him scan and send them or she is photographing them with a digital camera - iphone)

JON GRUMBEL

I've been messaging my mate about what you have told me. Don't worry.. I would trust him with my life. His name is Carl Spangler, he's looking at the images as we speak. He says he has seen this device before. He's certain it's something called a repulsine. It was created by a German scientist in WWII.. but no one could get it to operate. No one could get it to do what it was supposed to do - fly using antigravity rather than conventional flight methods and produce free energy. Steve says if this thing could produce an EMP then he clearly cracked the mystery of how it works. Steve also says he has an idea why the FBI building was destroyed as well and he says you and I need to get out of our offices as fast as we possibly can and get someplace safe.

(PANEL) 33.

While this is being said to River we see a name come up on River's call waiting line - it's Agent Gunkowski's name and number.

MONTAGE 1 

SCENE 10.

SCREEN 1 (PANEL) 17.

CONT. - INT. SUBWAY - 

There are abandoned subway cars filling this central junction. It's a switching car rig with one subway train car in the middle. Each Luminary is on one side of the car where their train tracks lead out to each of the 5 tunnels. 

MONTAGE 2

SCENE 5. 

SCREEN 2 (PANEL) 15.

CONT. INT. ROARK'S CAR

Gunner and Lightfield are racing through Central Park finally coming to a place to park in a wide open area.

GUNNER

Here?

LIGHTFIELD

Yes, we need to get out here. Pop the trunk. Leave the car running.

(PANEL) 16.

Lightfield finds the tire iron in the trunk.

LIGHTFIELD

Get everything from the car we can that we might be able to use.

(PANEL) 17.

Lightfield is working in the driver side of the car. Then lets the car go and it drives off into the pond totally submerging itself.

(PANEL) 18.

Gunner can do nothing but look on while stifling her urge to voice her skepticism.. But there's no time for that anyway.

LIGHTFIELD

Follow me.

(PANEL) 19.

He runs off in the direction of an empty space. 

(PANEL) 20.

He then kneels down on the ground working with something there.. Suddenly we see a manhole being pried up with the tire iron.

GUNNER

Are you sure you know what you are doing here?

(PANEL) 21.

LIGHTFIELD

I hope so.. But we are out of options at this point anyway.

MONTAGE 3

SCENE 9.

SCREEN 3 (PANEL) 34.

CONT. INTERIOR SUPERMARKET PRESS

At this time we see on the news that Lightfield and Agent Gunkowski are on the run (Matilda points it out) and people on the streets are photographing and videoing them in transit. Different sightings popping up here and there. Police are trying to get to the scene. 

Right at this moment we get a call to the office from Agent Gunkowski - she found Rivers card...

RIVER

Agent Gunkowski.. Is this really you?

Agent Gunkowski can't respond right away because of the onslaught going on all around her..

AGENT GUNKOWSKI

River?! 

(PANEL) 35.

RIVER

Yes!

Agent Gunkowski

Thank god...

I need your help... I need you to make a statement that we were not behind this supposed terrorist attack. A rogue element of the government is behind this. They are trying to cover-up something discovered by Grim Lightfield, who created the device that produced the EMP - who is in my custody. There is no known evidence that he is connected to any terrorist groups or that he is a terrorist himself.

(PANEL) 36.

RIVER

I know Agent Gunkowski! I know! I can't get into it more on the phone how or why I know but I know! 

AGENT GUNKOWSKI

We need you to go public with this, River. You could get this out and convince the world.

(PANEL) 37.

RIVER

You don't understand Gunner.. I know what these people are capable of. That's all I can say on the phone like this. Get somewhere safe and we can figure something out. We shouldn't make any rash decisions. It won't do any good to stick our necks out if they get chopped off the instant we do.

AGENT GUNKOWSKI

River, we likely won't get another chance. This group we are up against will just be more prepared to attack us over time... they will just get stronger...

Gunner's voice is cut off..

MONTAGE 1 

SCENE 10.

SCREEN 1 (PANEL) 18.

CONT. - INT. SUBWAY - 

We see their bodies start to become tangible rather than invisible.. And we see that their bodies are covered with a metallic material that corresponds to their alchemical name.

MONTAGE 2

SCENE 6. 

SCREEN 2 (PANEL) 22.

INT. SUBTERRANEAN TUNNELS

Gunner & Lightfield enter into the storm drain pulling the cover back over them - luckily they still have their night vision feature in their iFRAMES to rely on. They climb down the ladder, also lucky the water is low in the drainage tunnel, just a minute amount of water flowing up to the top of the soles of their shoes due to the horrific heat wave and drought. 

PANEL

Without their high tech glasses they wouldn't be able to see anything in the pitch black. With those glasses everything is a pale blue and brightly lit. A rat looks back on all he can see of them with his razor sharp night vision... two pairs of pale blue illuminated glasses floating in the dark.

LIGHTFIELD

I have a map of the tunnel systems on the iFRAMES and I think we can get off Manhattan without going above ground. Once we are, they won't expect us being off the island. They know our car was ditched in central park and they shutdown all the ways out above ground and even the subway trains. We need to walk all the way back to where we started out - the direction of the FBI building. We need to hurry and get out of this drainage tunnel soon though because if the water rises we could get stuck in here and drown. We've got about 2 miles to go.

GUNNER

MY god.. The smell... it's unbelievable. I don't know how long we will be able to handle this.

PANEL

LIGHTFIELD

It's usually not like this.. It's the heatwave. All the animals including humans try to get underground to avoid the heat and many of them are dying down here now.

GUNNER

Yes, the police have had to start running patrols. The homeless have been getting killed by subways and delaying all the trains. It's incomprehensible...

PANEL

LIGHTFIELD

(Looking at Gunner's sexy high heeled pumps)

How can you walk in those shoes here? That's something I didn't really consider... here

(reaching out to help her balance)

GUNNER

It's not much worse than the rainy NY streets. I'll manage.

(taking Lightfield's arm)

MONTAGE 3

SCENE 9.

SCREEN 3 (PANEL) 38.

CONT. INTERIOR SUPERMARKET PRESS

RIVER

Jon, you there..

JON GRUMBEL

I was worried about you mate....

My contact - Jon Grumbel has tracked down someone in New York city for you to meet with. This contact and a band of like minded individuals can try to provide protection for you and help you plan your next course of action. Do you remember where we had the drink together when I was there and we bumped into your pal Sting? Travel straight to that point from your office... and look for a sign where to go from there - you'll know it when you see it!

(PANEL) 39.

RIVER

Know it when I see it? How?!

JON GRUMBEL

That's what the informant said. You've got to get out of there mate. Pronto. It's not safe. The informant said he will make sure everyone is out of the building somehow before it gets vaporized, too. 

(PANEL) 40.

River grabs his leather satchel with his camera and gear he grabs Matilda's purse top and then grabs her hand.

MONTAGE 1 

SCR3-10

SCENE 10.

SCREEN 1 (PANEL) 19.

CONT. - INT. SUBWAY - 

They all have a hand on the subway car. Suddenly we see a bizarre effect around each of their hands on the car. The steel appears to be turning black... at the same time an ultra-fine metallic mist begins pouring out of the their bodies and filling and traveling down the subway tunnels.

MONTAGE 2

SCR3-10

SCENE 6. 

SCREEN 2 (PANEL) 23.

CONT. INT. SUBTERRANEAN TUNNELS

Gunner and Lightfield have made pretty good time in spite having to navigate the heaps of garbage and detritus of their rotting city's innards.

They've come upon a abandoned construction site and an immense piece of industrial equipment that appears to be tied into the electrical framework. Immense electrical conduits the diameter of a man spread out in various directions.

GUNNER

Odd how all this equipment has been left here. We may be able to find something useful.

All the equipment is super-sized to work on this thing.

(Indicating the monstrous apparatus)

LIGHTFIELD

I'm looking at the schematics on the cities database on the information stored in the iFRAMES. This is a type of transformer. It looks like the central power point for the whole city. Everything streams off of this.

I think I may have just found a place we can rest. One of these cables runs right into something about a quarter of a mile from here, it's a decommissioned train station. 

PANEL

GUNNER

That's good. There are a lot of questions I need answered. I need to figure out what exactly we are up against.

MONTAGE 3

SCR3-10

SCENE 9.

SCREEN 3 (PANEL) 41.

CONT. INTERIOR SUPERMARKET PRESS

River grabs Matilda by the hand and heads for the rear exit. River tells Matilda she's in danger too - she knows the info he has

River sees the cover for the tabloid Chief made

THE MACHINE on the cover - "the saucer men from New Jersey"

He thinks back to how the WESTALL incident was covered up by the tabloids. 

He thinks back to a pin he saw the Chief wearing many times - a OPEN TRIANGULAR BOOMERANG SHAPE...

River realized he's been conned all along - thinks back to how the Chief screwed him... he remembers the Chief has the CIA pin like the guy at crime scene - emblem with similar design.

MONTAGE 1 

SCR3-11

SCENE 11.

SCREEN 1 (PANEL) 20.

We see from the CIA's perspective as River and Matilda are inside the office of the supermarket press.

MONTAGE 2

SCR3-11

SCENE 6. 

SCREEN 2 (PANEL) 24.

CONT. INT. SUBTERRANEAN TUNNELS

Gunner and Lightfield see the light beginning to intensify as they move down the tunnel getting closer to the train station.

GUNNER

What is that?! It's immense. 

SCENE 7

SCREEN 2 (PANEL) 25.

INT. SUBWAY STATION - NIGHT

Lightfield and Agent Gunkowski arrive at an old subway train station from the 30s or 40s judging by the heavy art deco elements and we can see how beautiful it is even in the dark from the bright moonlight coming through the stained glass. Everything is shades of dark blue and green. Enough light they can take their iFrames off and see clearly. 

GUNNER

As run down as this place is it feels like the Trump Tower compared to where we just came from.

PANEL

Lightfield and Agent Gunkowski use their blanket for as much comfort as they will provide. It's close to dawn above ground and it's still like a furnace below ground.

GUNNER

So, how did you get involved in all this? Where does your story start?

LIGHTFIELD

It didn't really start with me... it started with my dad....

MONTAGE 3

SCR3-11

SCENE 10.

SCREEN 3 (PANEL) 42.

EXT. STREET SUPERMARKET PRESS

River notices 2 motorcyclists across the street looking his way... as well as several other suspicious cars.

MATILDA

How do we know we can trust these people you are going to meet?

RIVER

I don't... we just have to hope, kid.

(PANEL) 43.

River continues watching the motorcyclists as he starts his bike and they take off. 

RIVER

All the traffic is going the opposite direction to evacuate so we're going to have to go against the flow. 

Don't be too obvious, but see those bikers across the street? Keep an eye on 'em and tell me what they do.

MONTAGE 1 

SCR3-12

SCENE 11.

SCREEN 1 (PANEL) 21.

EXT. SUPERMARKET PRESS

The CIA agents see River and Matilda leaving the office.

CIA AGENT

OK, we can make out movement. They are out of the office. 

They pull out several cars behind River and Matilda on his bike and the agent in the passenger seat aims his gun at them. Before he can fire, a truck immediately swerves in front of them blocking his line of fire - firing into the back of the truck with a silent weapon.

MONTAGE 2

SCENE 7. 

SCREEN 2 (PANEL) 26.

CONT. INT. SUBWAY STATION - NIGHT

The dark blue tones of the stained glass window above Lightfield and Agent Gunkowski transitions to a narrow two-lane highway 30 miles from the Canadian border, flat desolate, an old blue truck is riding alone on the highway. 

EXT. 2 TWO LANE HIGHWAY - NORTH EASTERN WASHINGTON STATE - WITHIN 60 MILES OF THE CANADIAN BORDER, 1968 - CLOSE TO MIDNIGHT

(PANEL) 27.

TITLE CARD:

(OVER THE PANEL) "LET ME TELL YOU A FLYING SAUCER STORY"

VIRGIL

What time is it?

KEITH

I told you 5 minute's ago it's almost midnight, Virgil.

(PANEL) 28.

VIRGIL

The old man's gonna flip his lid. (laughing)

KEITH

That's nothin' compared to what my old man's gonna do.

(PANEL) 29.

VIRGIL

It was worth it though. I've never seen a finish like that. That '55 Chevy sliding through the finish line sideways? The crowd going crazy?

KEITH

Speaking of races, this jalopy of yours isn't gonna be winning any. Is she at least gonna make it home? What's that sound? 

(PANEL) 30.

VIRGIL

Old blue always makes that noise when he's running balls-out.(he's looking down at the gauges - the temps getting high and the speedo is topping out at 70)

KEITH

Hey, what is that?

(PANEL) 31.

VIRGIL

What is what? (fussing with the radio which has totally lost all reception all of a sudden)

Virgil looks up, trying to focus his eyes. Far in the distance there's something he sees he's never seen before. he has driven on this highway more times than he can remember, day and night, and he's never seen anything like what he sees now. What could it be, he thinks to himself.

 He let's off the gas a bit. Decelerating well ahead of where he normally would. 

(PANEL) 32.

in the distance they see something hovering above the intersection of the highway they are on and another road crossing it. something producing an incredible amount of light projected down on the intersection.

(PANEL) 33.

As they get about a half mile away they see what it is. It's a stereotypical b-movie-esque flying saucer. Something so well known and hackneyed to them at this point it was difficult to even take it seriously.

KEITH

(in a hushed whisper, as if afraid the occupants of the saucer might hear him)

it looks like a flying saucer right out of that movie Saucer Men from Mars. 

(PANEL) 34.

The object sits hovering so placidly, close to the power lines, they don't feel fear, it's more of a dream like feeling. Was this really happening, they wondered to themselves. The lines between reality and fiction suddenly blurred completely.

(PANEL) 35.

Eventually they inch as close as they can to the craft while being able to see it through the windshield. They sit there for several minutes until it finally rises straight up.

(PANEL) 36.

Virgil

(whispering)

there's no noise or wind at all...

(PANEL) 37.

The craft is so high it can barely be seen now, even in the perfectly clear sky. It hesitates for a moment as if it was a living thing contemplating what to do next.

(PANEL) 38.

then instantly accelerates at an oblique vector.

(PANEL) 39.

The stars in the sky dissolve back into the lights coming through the stained glass again. Agent Gunkowski is wide-eyed listening to Lightfield's story.

GUNNER

So, from what you said in your interrogation, what your dad saw was actually a US government craft, then?

LIGHTFIELD

This I don't know. I don't know for sure what that craft was or what it was doing. But this experience my dad had with his friend is what led me on my journey to discover what I did. I will get more into that soon though. Let me tell you about my life and what led me to all this as well.

MONTAGE 3

SCENE 10.

SCREEN 3 (PANEL) 44.

EXT. NYC Street

River and Matilda take off and start weaving through the oncoming gridlocked traffic as quickly as possible, Even the sidewalks are full of people evacuating on foot.

RIVER

Do you see anyone behind us? Remember, try to act nonchalant...

MATILDA

How do I look back nonchalantly?

(PANEL) 45.

RIVER

I don't know... I thought you'd know...

MATILDA

I see them behind us!

(PANEL) 46.

RIVER

Hold on... I'm going to try to lose them!

(PANEL) 47.

River and Matilda narrowly avoid many cars and people as they fly through the streets away from the city to the outskirts.

MONTAGE 1 

SCR3-13

SCENE 11.

SCREEN 1 (PANEL) 22.

EXT. NY STREET

More cars with agents pull behind the agents whose gunfire was blocked. Suddenly large trucks pull all around them from all sides - even oncoming traffic boxing them in. 

MONTAGE 2

SCR3-13

SCENE 7. 

SCREEN 2 (PANEL) 40.

CONT. INT. SUBWAY STATION - NIGHT

LIGHTFIELD

(VOICE OVER)

My mom was a single mom trying to support 2 kids on her own after my dad died. It was a big struggle for her. At this time aspergers wasn't as widely known as it is now and it's still overlooked.A YOUNG Lightfield ABOUT 6 YEARS OLD STARING OUT THE WINDOW AT SCHOOL. TEACHER NOTICING

PANEL 41.

A 10 YEAR OLD Lightfield SITTING ALONE LOOKING AT A BUMBLE BEE.

LIGHTFIELD

(VOICE OVER)

I had always felt different from the other kids. But I didn't know why. And my mom was very old fashioned in her thinking and was in denial about it.

My biggest problem when growing up though was that I felt like everyone thought the same and if you didn't there was something wrong with you. And I always felt like I thought differently than others. I saw things differently. 

I also felt there was something horribly wrong with the school system and society in general. It was like no one really saw what was possible in life. The one time I discovered someone who I felt saw things like me was when I learned of Leonardo da Vinci. He was my hero as a kid and throughout my life, I dreamed of studying all the different things he did.

But when I was in school rather than encouraging these interests I felt like the school system crushed them. Things got even worse when I got to middle school and met algebra. I had dreamed of becoming a scientist or inventor but my inability to learn algebra or understand it destroyed that. This is a common problem with people who are on the autism spectrum, for some reason algebra just does not compute. I didn't know that then though.

I also had a weird issue where I struggled doing my homework assignments. The larger the assignment the more difficult it was for me to do it. Yet I did well in tests and aptitude tests at school. They tried placing me in advanced classes yet I still had the same problems. My mom assumed I was lazy because I just sat around daydreaming at home all the time too it seemed. So I was always in the doghouse. Yelled at constantly. And this made things even worse. I felt like I just gave up at school.

These weren't my only problems though, people seemed to know I was different as well and even though I was obviously a big kid people would bully me to an extent knowing that I wasn't the type to respond. No one ever physically bullied me... but they would psychologically bully me at times or act like I was a weirdo because I was just different.

That's all aspergers syndrome really is, we are just different. But society doesn't welcome different usually. They just see you as weird. Temple Grandin who is an aspie herself and studies aspergers and is one of the foremost authorities has said that no two autistic minds are alike.

Even though I wasn't doing well in school I still had this insatiable desire to learn and understand everything. I was especially obsessed with flight. One of the major aspects of Asperger syndrome-autism is an intense focus, and many aspies have unique abilities because of our obsessions and focus. Many people suspect Einstein was an aspie because of traits he had as a child - for example he was very late to develop speech which is a common autistic trait. I also had a tremendous amount of ideas but again struggled to be able to know how to really work towards developing them.

Because we didn't know what my issues were my mom didn't know what to do with me and she was upset I wasn't doing better in school. We didn't get along and I ended up moving out and living with friends before I was out of high school. I got my GED at the time and tested so high in the non-math portion the test taker said they could equate it to a SAT score and said I would have gotten an A. He seemed visibly upset wondering why I ended up in that situation. I told him I had just always hated school.

I worked at different odd jobs OVER THE YEARS dreaming of pursuing my interests. It was hell for me in these mindless jobs because I wasn't even capable of managing them, yet I had all these ideas of things I wanted to achieve and create... all this ability I couldn't tap, I felt, but had no idea why.

MONTAGE 3

SCR3-13

SCENE 10.

SCREEN 3 (PANEL) 48.

CONT. EXT NYC STREET 

Suddenly 2 bikes pull in front of River and Matilda from side streets, Now they are pinned in front and back. These bikers look identical to the two behind.

As they tighten the noose on them, pinning them in tighter and tighter River has an idea and pulls the flash from his bag... he flashes the bikes in front then the bikes behind.. the bikers are all instantly blinded and all narrowly avoid crashing at the same time.

MATILDA

Yes! That was amazing!

RIVER

Woohoo!

We're going to make it!

MONTAGE 1 

SCENE 11.

SCREEN 1 (PANEL) 23.

We are back with the agents surrounded by the trucks..

They see the drivers of the trucks getting out of the cabs and fleeing the scene.

AGENT

(to the control center)

We've been penned in! Someone is attempting to snatch the target!

MONTAGE 2

SCR3-14

SCENE 7. 

SCREEN 2 (PANEL) 42.

CONT. INT. SUBWAY STATION - NIGHT

I tried to develop my different ideas for inventions and was always studying new scientific information coming out, still obsessed with flight especially. It was at this time thinking about developing different aircraft inventions in my mind that I remembered back to my Dad's story. When I was about 10 my Mom gave me some of his things. 

It was at this time she showed me info he had relating to his experience. I remember looking through his things and I found this piece of paper.. All it said was D-I-E-L-C-T-R-I-C.

I asked my mom what dielectric meant and she said.. "It doesn't mean anything. Just 2 words together - "die" and "electric". I will go into this more later.

She also said how he had told her what he saw when they met a couple years after the incident, in the early 70's. They would visit the spot when he would go back to that little home town near the Canadian border in Washington state to see his parents.

One of the things he had, along with a written description of what happened, was an issue of a magazine called Popular Mechanics. The issue had an article that dealt with the several failed attempts to develop saucer type craft by the US military. Craft that barely got off the ground and were supposedly considered turkeys.

Thinking back to this I remembered seeing that all the issues of Popular Mechanics were online. I thought it would be easy to check out that old issue again. I had always wanted to look into the things he mentioned to see if new info had come out. In the article he had circled a saucer they had depicted. It was a depiction of the saucer someone named Bob Lazar had said he had seen at a government installation called Area 51. When I had first read this article when my mom showed it to me I didn't fully understand the implications of what I had seen.

The way the article had been written and the way the Bob Lazar saucer had been depicted it seemed like a joke. The image had a "they're here" caption under it. But I had always wanted to research Bob Lazar more. 

There were conflicting claims about him at the time I first researched him. I had hoped by now the information was more easy to dig up about him and people had come to a conclusion one way or another about him. 

I quickly found the account of his of what he had seen online. He describes how he was recruited by a famous scientist who worked for the US government named Dr. Edward Teller. How he was flown to Area 51 and a a secret outpost in Area 51 called S4. 

He described a saucer he had seen there vaguely. Then he talked about going into a briefing room that said they had acquired this technology from aliens they had been in contact with. He said when he looked up from the table at the wall across from him he saw a poster there that showed the saucer he had seen in the hangar hovering over the desert floor with the caption "THEY'RE HERE".

It was at this time it hit me... I had never known that the image that was in Popular Mechanics was the actual image that Bob Lazar had recreated based on what he had seen.

MONTAGE 3

SCR3-14

SCENE 10.

SCREEN 3 (PANEL) 49.

CONT. EXT NYC STREET

At that moment as they approach the next cross street we see 4 more bikes about to pull behind them again from the side streets as they pass through the intersection.

RIVER

Holy crap. More?!

(PANEL) 50.

This time their pursuers don't mess around and immediately catch up to River and Matilda and 2 pass in front... 

(PANEL) 51.

Then something weird happens... lights begin coming on on the back of the biker in front of Rover that write a message - 

BIKER MESSAGE

We are friends 

-

JON sent us.

(PANEL) 52.

BIKER MESSAGE

Follow us. 

(PANEL)53.

Something else strange happens - We see all the bikers press a button on their handlebars

(PANEL) 54.

A gas starts being dispersed from their bikes... it envelopes the bikers and River and Matilda on their bike. - show cars that have gas on them invisible too)

(PANEL) 55.

We see the same thing happening from the insect view from above and 

(PANEL) 56.

suddenly the signature they were locked on disappears and group of motorcyclists becomes invisible to the insects. 

MONTAGE 1 

SCR3-15

SCENE 12.

SCREEN 1 (PANEL) 24.

Int. Underground Subway Hub

The Luminaries continue to fill the tunnels with their metallic mist pursuing their targets.

MAN WITH THE SCAR

(From the Control center)

Contact has been lost pursuing a target. Allocate 2 Luminaries to reacquire the target.

Target data received.

Visual of data on the target and data on loss of target is displayed.

MONTAGE 2

SCR3-15

SCENE 7. 

SCREEN 2 (PANEL) 43.

CONT. INT. SUBWAY STATION - NIGHT

This changed everything for me. This meant that the saucer my dad had seen was the exact same saucer Lazar had seen. They validated each other in some fashion. 

So now the question became - was Lazar legit? Was he telling the truth or did he have another motive? Were these craft really based on alien designs or were they from the government? Even my dad had speculated from the beginning that this might have been government technology.

I began researching this stuff more and more. One of the most important things I discovered right off the bat was a video called Billion Dollar Secret. This was pivotal in the discoveries I made. The documentary by highly respected aviation journalist Nick Cook had some key information though... This was a documentary about how much money the government spends on black budget technology and weird sightings people have had. One of the key clues he put in there was about "remote viewers".

Remote viewing is a type of clairvoyance - seeing a place anywhere in the world from afar with just your mind. This was a program supposedly funded by the government for millions of dollars over 4 decades. Nick Cook spoke to one of the remote viewers and before this meeting made a cryptic statement about "disinformation". It's said so subtly someone might miss it. But after researching the remote viewers and the information the supposed great remote viewers put out I think I see why. You see all the supposed government remote viewers have claimed making alien contact.

In this same documentary by Cook he meets with an old aviation engineer who headed highly secret programs. He said the lengths the people in control of these programs would go to to keep the secrets went against his morals and beliefs. He said it was unbelievable.

Yet here you have these supposed government remote viewers speaking publicly about some program what was supposed to be top secret and talking about supposed alien contact. Why might this be?

The reason is that the alien thing has been the perfect cover story for secret government technology all along. The perfect diversion.

MONTAGE 3

SCR3-15

SCENE 10.

SCREEN 3 (PANEL) 57.

EXT. NYC PARKING GARAGE

The newly formed gang of bikers continues driving to the outskirts of the city.

(PANEL) 58.

pulls up to a big metal gate with small cameras located all around. 

(PANEL) 59.

Looking through the camera POV, seeing that access is allowed as the group pull in... 

(PANEL) 60.

they start circling around and rising up the garage.

(PANEL) 61. 

Guards stationed in the darkness periodically waving them up. 

(PANEL) 62.

More vehicles stream in behind them at a constant rate.

(PANEL) 63.

We see different walks of life entering the building for this emergency situation.

(PANEL) 64.

People they pass by look in in interest but seem worried and stressed too. 

(PANEL) 65.

We notice something unusual about all these women and men.. Looking closely we see every one of them has at least one mechanical limb.. If not multiple.

(PANEL) 66.

Looking closer still we see they aren't just mechanical limbs.. But full functioning robotic limbs. Far more advanced than anything in the public known today.

(PANEL) 67.

These robotic soldiers are gearing up and manning their positions.

MONTAGE 1 

SCR3-16

SCENE 12.

SCREEN 1 (PANEL) 25.

The Luminary leader selects his top 2 members for the job.

MONTAGE 2

SCR3-16

SCENE 2. 

SCREEN 2 (PANEL) 44.

CONT. INT. SUBWAY STATION - NIGHT

Nick Cook also wrote a book at this time where he goes into the alien and antigravity lore that has been spreading since the end of WWII. The book is called The Hunt for Zero Point: Inside the Classified World of Antigravity Technology. I'm going to have to give you the Cliffs Notes versions of these sources I mention because we don't have the time to go totally in-depth.

The first thing I have to say is that from what I found Zero Point energy seems to be a red herring. Zero point energy which, is said to be the big discovery of the book is a supposed energy source that can be created from the vacuum of space. From nothing. From space time itself or inter-dimensionally.

The key way the people in power keep us in the dark is to make things seem much more complicated than they are.. And even more attractive on their surface than what is really being hidden. That is the purpose of something like this zero-point energy red herring.

They essentially have us chasing rainbows while there is a pot of gold sitting right in front of us. This appears to be the purpose of zero-point energy.

The reason they have to go to these lengths is because they can't put the genie back in the bottle. A lot of this info has already leaked, the only way they can hide info that is already partially out is to try to confuse people so they don't understand what they see right in front of them.

The other big keys of information Nick Cook includes is the lore about 2 of the key guys who developed antigravity technology and more. They did this on 2 different sides of the Atlantic seemingly totally independently of each other and before WWII. These people are Viktor Schauberger and Thomas Townsend Brown.

Before I tell you about these guys I need to explain what a CAPACITOR is.

(detail what a capacitor is here)

Back to TTBrown and Schauberger. The amazing thing about them is that one of them was an engineer and went about it in a more methodical modern approach - that was Thomas Brown, in the US. The other went about it in a more natural intuitive approach and he had his own way of explaining how it worked outside of our scientific understanding. But both were mocked and ridiculed for their claims and theories at the time. Both were dealt with by the powers that be and their work buried by the people in power.

MONTAGE 3

SCR3-16

SCENE 11.

SCREEN 3 (PANEL) 68.

INT. NYC PARKING GARAGE

A make-shift CONTROL CENTER has been made and is heavily guarded at the entrance.

River, Matilda and their escorts pull up to the entrance where a group of people is waiting. 

(PANEL) 69.

As their bike pulls to a stop guards come up and hold the bike up for them and check on their safety asking if they have been injured at all.

(PANEL) 70.

A muscular lean faced man approaches.

HUDSON RAND 

Welcome Mr. Lotus-eater, Ms. Leonard. I'm terribly sorry for having to keep you in the dark about our methods.

RIVER

I'm sorry about those guys we flashed. Hopefully they are alright...

(PANEL) 71.

HUDSON RAND

They'll be fine, don't worry about them. We've got some tough customers here thankfully. Again, my apologies for giving you a fright back there. You have probably deduced by now the forces we are up against will use all the means at their disposal to protect their interests.

SCREEN 3 (PANEL) 72.

A guard approaches River and Matilda with what looks like a handheld camera with what looks like, but isn't, an infra red sensor reading on the monitor - it reads "theta waves" 

GUARD

They're both clear, Mr. Rand.

HUDSON RAND

Welcome. Please come in to the control room. I'll tell you about myself and the little operation we have here.

MONTAGE 1 

SCR3-17

SCENE 12.

SCREEN 1 (PANEL) 26.

The Luminary duo leader and her associate begin moving out of the tunnels. Invisible figures moving through concrete like ghosts as they move to the surface of the city.

MONTAGE 2

SCR3-17

SCENE 7. 

SCREEN 2 (PANEL) 45.

CONT. INT. SUBWAY STATION - NIGHT

Thomas Townsend Brown was a young college science student experimenting with electricity - an X-ray producing device - and noticed the device shifted significantly when activated. He devised experiments to examine this phenomenon and tried to replicate it. He isolated what was creating the effect and tried to enhance it.

It turned out the key was a CAPACITOR effect that creates this propellant-less movement which was unknown to science then, and even now. Yet there was another person who had detected this effect who TTBrown also credited in his work - calling it the Biefeld-Brown effect. Brown also developed a test rig that disk type craft could rotate around using this same effect.

Around this same timeframe, in Austria, Viktor Schauberger - who came from a long lineage of forest caretakers - had an understanding of nature few people in the world have ever had. 

This is knowledge people today are totally oblivious to because we have become so out of tune with nature. People forget that all this stuff our society relies on, all this technology, is based on fundamental properties of nature. So if nature is key to our discovery of incredible forms of technology, like how the Wright brothers studied birds to developed manned powered flight, what other discoveries might be out in nature that we have no idea of?

This is why Schauberger was so far ahead of everyone. It's also why he said repeatedly that scientists in the mainstream were so backwards in their thinking. Because they were so completely out of touch with nature and it's characteristics/idiosyncrasies/ laws.

Schauberger had been writing about his theories about nature and technology and the path we were heading down way back in the 30s. He was even asked to speak to Hitler in a famous meeting. Schauberger's said the Reich would never last with its philosophy. A famous Nazi science official said "nature has nothing to do with science" in response.

When WWII started Schauberger was forced to work for the Nazis or he would be killed. It was clear the Nazis viewed everyone as a threat even someone like Schauberger and they were ruthless in their search for technological superiority. They were monitoring and controlling all his work and seemed to be stealing the products of his work and developing them independently while hampering his own progress when they saw him making breakthroughs. There are claims a Nazi engineer stole Schauberger's design for the jet engine - possibly the first true jet engine ever made.

There is a documented story from one of the workers in Schauberger's crew who reported of their work at the time after the war that he saw a device Schauberger made while working for the Nazis called the REPULSINE that sheared the bolts holding it down and flew to the roof when tested without Schauberger present. The Repulsine was the device I built in my shop that caused the EMP!

There have been claims after the war from people who have read secret documents that there was a device the Nazis were developing called the Nazi Bell. This device was said to have mercury within it, was radioactive and produced electricity. It was also said to generate antigravity.

After WWII when the US and Russian intelligence raided all the Nazis secret tech projects they both got some of Schauberger's work. Possibly other countries were in on it, too. Schauberger was debriefed by the US intelligence. He said all his devices were taken and he was forbidden from working on nuclear devices.

After the war Schauberger had heard rumors of flying saucers being sighted in the US. He thought this sounded like his technology since he knew he was the first to make a true flying saucer for the Nazis.

Reading on this site? This novel is published elsewhere. Support the author by seeking out the original.

Years after WWII when he began getting vocal about his theories in the Austrian press, he was contacted by US businessmen with ties to the US government. They said they were going to help him develop his technologies and made all kinds of financial promises when he delivered the technology. After agreeing, then flying over to work with them in Texas, things got weird. He brought prototypes and built devices but they claimed there was a communication breakdown. They had him speak to people in the advanced science programs. Schauberger got worried they were going to use his technologies in the military and make bombs with them. Schauberger knew these bombs would make nukes look insignificant. Things never improved between Schauberger and the US businessmen. They also wouldn't let him return home unless he signed all his work and prototypes over.

At this same time Thomas Townsend Brown was going through the exact same kinds of issues with the US government as well. And Schauberger and Brown likely had no idea of the others work. After WWII and working with the US government in radar technology and some very weird rumors about his time working with them then, he showed his work from before WWII on electrogravitic rigs with disks flying rapidly around them to a US general and told him the potential of this technology. The general was documented reporting this to his superiors with great concern. Shortly after this, Brown was showing his work to more military people and his office was broken into and files stolen then later returned. There are many rumors about TTBrown after this time - heavy disinformation spread. He seemed to get the same kind of run-a-round Schauberger did.

MONTAGE 3

SCENE 11.

SCREEN 3 (PANEL) 73.

INT. MISFITS' CONTROL CENTER

HUDSON RAND

Please, have a seat. My apologies for being so concise here but we are all in grave danger and I am sure you have an idea of the extreme level of danger we are in now. But things may be far more dire than you might imagine. 

We have been waiting, ready and prepared for the right time to act. 

The are groups of people around the US who all sense something is wrong but there is no unity - all fighting against each other.. They all think they know the truth. Most of them are focused on alien disclosure.. Missing the bigger picture... They need ONE VOICE to unite them.. To cut through all the disinformation.

RIVER

Who funds all this?

(PANEL) 74.

RAND

It's all funded through my charity for wounded soldiers. These men and women take their proceeds and put them to this use. Without them I couldn't do this. And the wealthy patriots around the country who are privy to our real agenda.

MONTAGE 1 

SCR3-18

SCENE 12.

SCREEN 1 (PANEL) 27.

We see them begin processing info relating to their new bounties immediately in the heads-up display of their suits.

SUIT COMPUTER

Location of lost target. 

The Luminaries go through info taken by the FBI and CIA from Lightfield's shop. Images of River at the scene flash.

MONTAGE 2

SCR3-18

SCENE 7. 

SCREEN 2 (PANEL) 45.

CONT. INT. SUBWAY STATION - NIGHT

Nick Cook documents another aspect of this in his book as well. It was what got him started on his journey. Someone anonymously left an article on his desk from a magazine from the 50s claiming that aviation manufacturers were seriously working on electrogravitics - the term TTBrown coined for gravity control used in aircraft.

(show a reproduction of the article cover here - G-drives and quotes)

Cook researched this and found it was legit. Many respected people in the aviation community predicted a breakthrough within 5 years and "think tanks" were forming to solve the "gravity riddle". One of these think tanks had a charter very similar to Schauberger's revolutionary philosophies - studying nature and applying this knowledge to scientific developments, the first iterations of a field known now as bio mimicry, which Schauberger likely spawned and no one knows it.

But, then, after all this hype... within a year it was as if the whole thing never happened. All talk of work with gravity control totally disappeared. In reality this was because it went black. The people in power likely made this all a matter of national security. You will see that is a pattern of control these people used from this point on.

There were some other weird incidents that occurred during and after WWII that seem to be connected. Cook documents that during WWII there were pilots flying over Germany who witnessed this strange phenomena. They would see these floating fireballs that would seem to play with them flying all about then disappear. They were called Foo Fighters. Named after a comic book character of the time. Allied intelligence investigated these reports. It's likely these were the first saucer craft made using Schauberger's technology.

Then in 1947 there was an account of a Washington state small plane pilot who saw something he described as a metallic saucer skipping across a pond, flying north to south along through the airspace following the formation of the rocky mountains. There is a document that slipped through from a General Twining who commented on this and had an odd reaction about how this technology was within their reach, how would he have known this if we weren't aware even now? The capabilities he discussed are not within the realm of conventional craft we know of even today.Twining doc here for readers

In 1950 there were reports of a formation of saucers flying over the White House. The president himself discussed this sighting publicly. 

Then there was of course the infamous Roswell crash. This was likely the Nazis OR government disinfo to spread the alien red herring.

So, what would explain these saucers seen over the US at this time? It could be the US military developing this technology. But there is another possibility.

MONTAGE 3

SCENE 11.

(PANEL) 75.

CONT INT MISFITS' CONTROL CENTER

Rand receives a call on his cell phone from a shadowy informant figure. All the blood runs from Rand's face. His eyes look like he's not in the room with them anymore... his thoughts are somewhere else while listening to the informant.

RAND

(to number one)

These coordinates... this is the general area we picked up Lady and the tramp. 

(To everyone in the control room)

Our mettle is about to be tested unlike anything before. The shadow government has sent their most precious asset to eliminate you. Our foe is like nothing I have ever faced before. 

This is what we have been training to battle. Worst case scenario we could try to get you out of here and hide you somewhere else if you want to go that route.

But with your high profile it will be difficult to protect you for long. More forces will come after you because of the info you have. We don't know how they are tracking you so you may be at more risk - with all the forces we can amass here this may be your best chance for survival.

We wish we had more training time to deal with the threats we may be facing but on the other hand the longer we wait the more powerful our opponent gets - the more they breakdown society and further their plans.

MONTAGE 1 

SCENE 12.

SCREEN 1 (PANEL) 28.

Luminary duo leader and partner going through images at a rapid pace. We see reports of the CIA encounter and chase of target. We see all relevant info about targets. 

Every known video, article and image of River Lotus Eater comes up.

MONTAGE 2

SCENE 7. 

SCREEN 2 (PANEL) 46.

CONT. INT. SUBWAY STATION - NIGHT

There is another strange account of flying craft being seen around this time that may account for some if not all of these sightings. There is a report from an Admiral Byrd who was sent on an expedition after WWII to explore Antarctica. Well, it's well known that the Nazis had claimed land on and around Antarctica during WWII, even though others had already claimed the land before them. There is a news report from South America after the Byrd expedition reporting that they were attacked by craft that have the ability to travel between the North and south poles at great speed. Admiral Byrd supposedly committed suicide not long after returning to the US as well. Maybe covering up Byrd leaking this information?

At the end of WWII there were reports of missing Nazi subs and claims that Nazi escaped to many different countries and were hidden by their secret allies through countries in South America. Hundreds of Nazi scientists were even secretly recruited by the American government after the war. These reports we have of Nazis continuing after WWII may be just a small hint at what really remained.

So, imagine there are Nazis remaining after WWII spread out all around the world and they have this technology they developed from Schauberger's work. They are so far ahead of the US and other countries at this time they can fly over our airspace with total impunity. Even over our own capital as a show of power.

In the meantime the US government, and possibly others, are developing this technology in secret. But here's the big key to all this -- why they couldn't take this tech mainstream. Why all the countries of the world colluded to keep this tech secret. It's because this technology would make many forms of business today obsolete. There is something else tied to this though.. Because to produce antigravity you need excessive amounts of electricity - power.

This is the other aspect of why this technology had to be kept secret. Power production is big money... and a means of maintaining control of society and the world. If people have total access to this they become uncontrollable and you also lose your technological edge. As complex as antigravity and the power source technology seem to be.. It is incredibly easy to manufacture when you know how to do it. The current state of advanced aircraft technology can only be achieved by throwing money and advanced engineering knowledge at it.

So what was the US government to do to prevent the mainstream population from learning what they desperately wanted to keep secret? They had the perfect solution already. It was handed to them on a silver platter. You see when allied soldiers saw the Foo Fighters during WWII while flying over Germany they were so far beyond their realm of understanding technologically because of their abilities and appearance they thought they were other worldly or alien when they reported back to the government.

This gave the secret keepers the perfect cover story for this super advanced technology. They began swamping the public consciousness tying together aliens with saucers and at the same time making antigravity technology seem like a joke. And also at the same time putting all the emphasis in public on nuclear energy and then the dangers of nuclear technology - which tied in perfectly with generating this fear of advanced technologies while diverting attention from other possible developments. 

How far would the government go to keep this secret? What lengths would they go to to control the world wide economy and maintain the power structure already in place? These people seem to be working on a 100 year time scale.

MONTAGE 3

SCENE 12.

SCREEN 3 (PANEL) 76.

EXT. NYC STREET

Two invisible figures descend toward the street - the Rand team CAN'T see them with heat/electrical scanners.

The Misfits intelligence officer informs number one - radar scan of potential targets negative, sir. They must be radar stealthed.

NUMBER ONE

(To the team)

Deploy the scout drones to search for the threat at the given coordinates. Maintain maximum distance. We get too close they will spot us.

Infantry - setup the perimeter!

MONTAGE 1 

SCENE 12.

SCREEN 1 (PANEL) 29.

The employees of Supermarket Press run through. Locating River and Matilda from the video images. 

FBI and department of Homeland Security Files come up.

A major lead has been targeted. An image of the CIA motorcycle is in the display field. The power cell is highlighted. 

SUIT COMPUTER

Exotic materials and energy signature can be tracked to possible hiding location or accomplices.

MONTAGE 2

SCENE 7. 

SCREEN 2 (PANEL) 47.

CONT. INT. SUBWAY STATION - NIGHT

And there are other dangers as well. The Nazis were working on something else that may have posed a threat even greater than Schauberger's super technologies. 

The Nazis had a mind control program that was brought with their scientists to the US after WWII. One of the key techniques of implementing mind control is based on inducing trauma to allow them to condition the subject as well as hypnosis. People also have been taught to think this is fantasy, too. Just like antigravity and flying saucers coincidentally. They do this to the general population using soft forms of mind control - subtle propaganda through mainstream media over long periods of time. They have total control over all forms of popular media and news programs. If you control the word's economy and the military and the government. It's very easy to maintain control of these programs financially.

But sometimes they don't just use soft forms of mind control on the general populatiuon... when they really want to get their point across or when they have something that requires the support of the entire population over a long span of time, they use more aggressive methods - trauma based. The US government and other nations seem to be joined together through secret societies that go back centuries - the Freemasons - and they have infiltrated most of the powerful countries in the world. They devised a goal of creating a one world government. The United Nations, created after the end of WWII, was a precursor to this. Major events since have been orchestrated moving towards completing that goal.

There are 2 major events that were orchestrated over long periods of time as part of this agenda. One was the JFK assassination and the other was 9-11.

Both of these events were done to coerce people to move in the direction of their agenda. And to create fear in order to control the people. As well as to create a psychological scar within the masses associated with the incident. To make them respond the way they want. These events were done in a high profile fashion to ensure they achieved the desired effect throughout the nation and the world. Both of these events were also done with forms of this advanced technology.

MONTAGE 3

SCR3-20

SCENE 13.

SCREEN 3 (PANEL) 77.

INT. MISFITS' GARAGE

Soldiers pile into troop transports. 

Osprey like craft with business names hiding their true purpose are landing on rooftops carrying more and more troops

SCENE 14.

(PANEL) 78.

INT. MISFITS' CONTROL CENTER

NUMBER TWO

(To number one)

we should have the full East coast force here within the next hour and the full support team within approximately 4 hours.

NUMBER ONE

That's not fast enough, We have 2 elementals within 15 miles of home base. We need as many resources as possible. Find a way to get people here or we won't be around much longer. This is the fate of the country hanging in the balance. 

SCENE 15.

(PANEL) 79.

INT. MISFITS' GARAGE

Soldiers are gearing up. 

Some are praying. 

Some are throwing up. 

Announcements are made directing soldiers to locations.

SCENE 16.

(PANEL) 80.

EXT. NYC STREET

Elementals approaching from due North. 

SCENE 17.

SCREEN 3 (PANEL) 81.

INT. MISFITS' CONTROL CENTER

NUMBER ONE

A-team, head to perimeter zone. B-G teams fall behind at 1/2 mile intervals.

Rand is translating commands to River and Matilda as they are called out on the PA system. 

(PANEL) 82.

We see trucks camera POV as they travel to their appointed positions. 

(PANEL) 83.

We hear soldiers communicating preparing for battle.

(PANEL) 84-85

Anti aircraft defense weapons moving like large insects navigate themselves autonomously into position. 

(PANEL) 86.

Scout drones fly to their appointed locations. 

(PANEL) 87.

We first see troops amassing.. 

(PANEL) 88-91.

Then pan right and see our targets. Incredible zoom here... 

(PANEL) 92-95.

We see different sensors working and pick up electrical signals of the Elemental duo. Their shapes outlined in electrical form.

MONTAGE 1 

SCENE 13.

SCREEN 1 (PANEL) 30.

LUMINARY LEADER

(To Luminary duo leader)

What's the ETA for tracking the targets? The trail is incredibly faint at this point. We WILL track it. I will update you when it's determined.

MONTAGE 2

SCR3-21

SCENE 7. 

SCREEN 2 (PANEL) 48.

CONT. INT. SUBWAY STATION - NIGHT

GUNNER

So, how does Bob Lazar tie into all this?

LIGHTFIELD

Did you know that Bob Lazar came onto the public scene later the same year in which

Spoiler :

REDACTED

Bob Lazar said he worked for the government reverse engineering alien flying saucer technology. He outlined how the craft operated and how their power source worked. He claimed they used some super element that can't be found on Earth and using a particle accelerator they "transmuted" this element to another and then it began releasing energy that fueled the ship.

Well it turns out this is how Pons & Fleischman's effect worked, too. But with Pons and Fleischman's process all you needed was the ubiquitous element nickel.

Spoiler :

REDACTED

and on a wild goose chase.. Chasing more rainbows. Once again using the dangling carrot of aliens that seems to capture people's imagination so easily. This way people are more concerned about the government revealing the truth about aliens than finding the truth about these technologies made by man. Remember also that the goal often is to fool people in government.. People in government not in the know, rather than the mainstream people. Imagine someone high up in the military chain witnessed one of these craft the government was testing and later realized that Pons and Fleischman discovered the process that powered it?

These events, the JFK assassination and 9-11 are tied in with these world wide agendas of suppressing these technologies, as well. And controlling the world economies. Which has been going on since the end of WWII when they discovered them. Different forms of these advanced technologies were used in both events, too. Because they knew the general population would have no idea of them. And they ensured the missions would be accomplished because of their effectiveness. They also ensured people could find no traces of them. Because people had no idea what to look for. I also think they like using these advanced technologies in this way as a justification for why they need to protect the world from them. But it's pure rationalization... people always use excuses like this to justify their behavior. 

Did you know that Hitler wanted to create the Aryan race because he believed if Germany didn't do it someone else would and they would take over the world?

After 9-11 there was a professor Clemson university named Dr. Judy Wood. Dr. Wood was in the teacher's lounge at her university when 9-11 happened, and she couldn't believe what she was seeing. Not only what she was seeing but that she was the only one who was seeing it. She was the only one questioning what she was seeing.. Not believing it could be real. Not believing buildings could do what they did when hit by planes. She thought someone else would eventually ask the questions she had. Eventually after waiting and waiting for years and nothing happening and seeing more and more bizarre things in the aftermath, eventually she realized she was going to have to do it herself. She spent the next decade plus amassing evidence and finding out more and more bizarre things that couldn't be explained. What she found was evidence some form of advanced technology was used to destroy the buildings in a way we have never seen before in the mainstream. This effect also had an antigravity component.

So what we have is some unknown entity using a seemingly conventional scenario - planes crashing into buildings - but in reality using an advanced secret technology to make it look like they were destroyed by planes. 

Now I want to explain what really allowed me to make the key discovery that will allow people to create this technology. The problem is it's so simple people can't believe it. 

Remember how I talked about Viktor Schauberger and TTBrown? And how they had discovered the same thing essentially at the same time?

Also remember way back in the beginning when I mentioned finding the note written by my dad that said "die electric" - well that's what my mom thought it said.. WHAT I LEARNED NEXT TOTALLY CHANGED EVERYTHING...

What they discovered was that the key to antigravity was capacitors. All capacitors are is a device that works similarly to a battery - It is a way of storing energy. Unlike a battery though it can charge and discharge instantly. Where as a battery takes a long period of time to re-charge and even release it's energy in comparison to a capacitor. A thunderstorm is really a natural capacitor. The Earth itself acts as a capacitor. This is how electrical storms are generated.

The Nazi Bell worked the same way. The Nazi Bell was the Nazis taking Schauberger's repulsine and distilling it's essence and re-imagining it and using it's principles of operation. 

The repulsine and Nazi Bell had a key feature that is unique though. They produced their own power to operate. This is something TTBrown's devices didn't have. He wanted to power them conventionally. Which would give them limited range.

MONTAGE 3

SCR3-21

SCENE 18.

SCREEN 3 (PANEL) 96.

EXT. DRONE VIEW

We see the view from the scout drones again - we see the Elementals have a cloud/mist like energy field expanded around them... 

SCENE 19.

(PANEL) 97.

INT. MISFITS' CONTROL CENTER

TECH GUY 1

(To Number One)

Sir, we are detecting some kind of metallic charged cloud around the targets... it appears they may be using this to track their target using an unknown process..

TECH GUY 2

(To Number One)

We've got a sensor detection of 2 Elementals 50 meters from predicted coordinates. They are moving at a slow human walking pace.. Unable to determine actions.

(PANEL) 98.

TECH GUY 1

(To Number One)

It looks like they are on a hound dog hunt lieutenant! 

NUMBER TWO

They don't actually have a hound dog do they?

NUMBER ONE

What can they be tracking? They can't track their bio trail - we eliminated that. They must be tracking something though...

We need to stop them before they acquire the trail. And we HAVE to find what they are tracking find some way to keep them off the trail.

(PANEL) 99.

RAND

(To River and Matilda)

We've never faced these targets in battle before.. We don't know how to stop them with the weapons we have

Logistics, give our evasive path to home base to the infantry.

Infantry, move covert troops to escort path to home base.

Long range artillery move to outer range of escort path at high ground.

MONTAGE 1 

SCENE 14.

SCREEN 1 (PANEL) 31.

LUMINARY DUO leader 

Tiny particles begin ejecting from the suit and spreading out in a mist.

We see the Luminaries visuals - they are looking for or sensing the signature.

We see the world in different views 

A readout showing different visual technologies comes up - we see cosmic rays - infrared etc.. Heat sensors - we see tiny glowing particles and warping in the air itself. Invisible currents hidden from our everyday sight.

The Luminary view we see through is suddenly jarringly disrupted when dust explodes around him. 

The on board computer

Beta leader - threat assessment - incoming artillery shells. Electrical fields in effect. 

Luminary leader- mental activation 

detect attackers - targeting 

Luminary leader sees her partner struck as well.

Luminary DUO PARTNER

Coordinates received.

They both begin initiating attacks. Weird energy vortex rings are emitted from the ends of their arms.

The Misfits and their heavy artillery are being destroyed all around.

MONTAGE 2

SCR3-22

SCENE 7. 

SCREEN 2 (PANEL) 49.

CONT. INT. SUBWAY STATION - NIGHT

There is another side of Schauberger's tech I haven't made clear yet. In his Repulsine, antigravity is a side effect of this production of energy. Schauberger's device used the "cold fusion" process that Pons and Fleischman detected but didn't fully understand. I'll explain that a bit better right now.

The key to understanding the Repulsine is that it was essentially a static charge generator. These were popular when scientists first started experimenting with electricity. Schauberger said the key to understanding the repulsine was to look to an experiment called the Lord Kelvin Thunderstorm experiment. It used induction of water moving up and then through tubing and falling. It was really just a static energy generator using water... but very efficiently. Charges developed extremely rapidly if designed properly.

This is what the repulsine does.. It builds up a charge from air traveling through the device. It uses dielectric materials to separate charges which is how capacitors store energy. The better the dielectric the better the capacitor is at storing electricity - the greater the antigravity effect.

Now, there is another device that uses this effect and another effect created in the repulsine using this effect. It's called a particle accelerator. Capacitors are commonly used to provide the energy necessary to all particle accelerators.(Describe history of particle accelerators here)

PANEL

AGENT GUNKOWSKI

How did you discover all this?

LIGHTFIELD

All I really did was put the final pieces of the puzzle together others had put out. They really did nearly all of the work. But they hadn't quite realized what they had for some reason. I think having the info I did about what my dad had seen, plus with my weird aspie abilities gave me that extra little something to help me see things more clearly. AND I happened to be looking at all of this at just the right moment in time. Right when all the info was coming out. There is something else that may have contributed to me discovering this. I am someone who has always had an incredible amount of ideas. That could be a big key to why I saw possibilities others didn't.

There is another possibility to why none of these people put this information together though. The people who put the info out might be controlled. They could be "limited hangouts". Gatekeepers themselves.PANEL

Agent Gunkowski describes limited hangouts to herself almost..

LIGHTFIELD

THE REAL BIG SECRET IS ATOMIC BATTERIES - WE HAVE THEM NOW BUT THEY ARE NOWHERE NEAR WHAT IS CAPABLE OF BEING USED

Imagine comparing a firecracker to a nuclear bomb. The atomic batteries we have now are the firecrackers.. The tech they are suppressing appears to be nuclear bombs in comparison in terms of the imact they would have on society if we were allowed to use this tech.

MONTAGE 3

SCENE 20.

SCREEN 3 (PANEL) 100.

EXT. NYC STREETS

We see trucks forming a perimeter radius.

(PANEL) 101-106.

Out of the trucks various weapons emerge from each. Some are guns mounted to the top of the vehicles. Others the same gun climbs out of the trucks and begin climbing the corners of buildings to the top and positioning themselves.

(PANEL) 106-111.

Misfits start firing all manner of conventional weapons at THE ELEMENTAL DUO.

(PANEL) 111-116.

We see they are harmless to them. THE ELEMENTALS start destroying them and their vehicles - killing people Control room panicking.

MONTAGE 1 

SCENE 15.

SCREEN 1 (PANEL) 32.

FD13

LUMINARY SUIT COMPUTER

Energy levels getting low - depleting reserves - Acquire mass for transmutation 

We see the suit losing material the more energy used.

Luminary duo leader reaches her hand back and the suit reaches out further contacting a rotting vehicle nearby.

They continue destroying more Misfits... we see them being slaughtered and annihilated.

Luminary duo leader to partner - continue the attack, I will return to tracking the signature.

MONTAGE 2

SCENE 7. 

SCREEN 2 (PANEL) 50.

CONT. INT. SUBWAY STATION - NIGHT

LIGHTFIELD

"Now I want to explain what really allowed me to make the key discovery that will allow people to create this technology and free us from the hold they have on us. The problem is it's so simple people can't believe it. Remember how I talked about Viktor Schauberger and TTBrown? And how they had discovered the same thing essentially at the same time?

What they discovered was that the key to antigravity was capacitors. All capacitors are is a device that works similarly to a battery - It is a way of storing energy. Unlike a battery though it can charge and discharge instantly. A thunderstorm is really a natural capacitor. The Earth itself acts as a capacitor. This is how electrical storms are generated. The air acts as a dielectric. Different layers of the atmosphere have different charges - positive and negative.

The Nazi Bell worked the same way. The Nazi Bell was the Nazis taking Schauberger's repulsine and distilling it's essence and re-imagining it and using it's principles of operation to make it more reliable.(Make image illustrating a self charging capacitor)

MONTAGE 3

SCR3-23

SCENE 21.

(PANEL) 117.

INT. MISFIT'S CONTROL CENTER

HUDSON RAND

Somehow they are tracking the route we used to extract the VIPS (River and Matilda). We have to determine what they are locking in on...

Double check them for any tracking equipment - on their person or their bike.

Intel, get all video of the extraction and return to base and look for any anomalies.

(PANEL) 118.

Rand and his Number one are watching the video of River and Agent Gunkowski being brought to the home base. 

(PANEL) 119.

Watching River and Matilda being searched for anything that could be leading the Luminary team to them.

MONTAGE 1 

SCR3-24

SCENE 16.

SCREEN 1 (PANEL) 33.

A media helicopter comes on the scene and we see the transmission...

MEDIA

Reports have been coming in about explosions seen in the industrial area of North Manhattan with continued terrorist attacks and the military stopping them. Tabloid journalist River Lotus-Eater has been photographed with the terrorist organization the previous evening.

Shot of Agent Gunkowski talking to River at Lightfield's shop scene.

LUMINARY DUO PARTNER

(To duo Leader)

Eliminate it.

Luminary partner destroys it.

NEWSROOM

Ladies and gentleman, we have temporarily lost contact with news copter 6. We will try to re-establish as soon as possible.

MONTAGE 2

SCR3-24

SCENE 7. 

SCREEN 2 (PANEL) 51.

CONT. INT. SUBWAY STATION - NIGHT

LIGHTFIELD

"The repulsine and Nazi Bell had a key feature that is unique though. They produced their own power to operate. This is something TTBrown's devices didn't have. He wanted to power them conventionally. Which would give them limited range.

Schauberger's device used the "cold fusion" process that Pons and Fleischman detected but didn't fully understand.[Show the design of a Leyden jar - one of the most simple capacitors.]

The key to understanding the Repulsine is that it was essentially a static charge generator. These were popular when scientists first started experimenting with electricity. Schauberger said the key to understanding the repulsine was to look to an experiment called the Lord Kelvin Thunderstorm experiment. It used induction of water moving up and then through tubing and falling. It was really just a static energy generator using water... but very efficiently. Charges developed extremely rapidly if designed properly.

This is what the repulsine does.. It builds up a charge from air traveling through the device. It used dielectric materials to separate the charges which is how dielectrics store energy. The better the dielectric the better the capacitor is at storing electricity.

The more effective the dielectric the more powerful the capacitor - the more powerful the repulsine. In Schauberger's day they didn't have very powerful dielectrics - unless the Nazis themselves developed them internally. This could tie into the unique design of the Nazi Bell as well.

Now, there is another device that uses this effect in science and another effect created in the REPULSINE using this phenomenon. It's called a particle accelerator. Capacitors are commonly used to provide the energy necessary to accelerate particles to immense speeds.

The repulsine is a very mysterious device to people. There are many rumors of how it works and you have to really study all the info about it and really sort through all the mis-info or is it disinfo which has been intentionally spread? The same is true of TTBrown's work as well. You have to sort through a lot of rumors lies and mis-info to really understand his work.

There is a book out called Secrets of Antigravity propulsion that really helped me understand TTBrown's work. For some reason the author of the book never gets into Schauberger. I don't know why that is. But if he had studied Schauberger's work, in depth, he would have seen that TTBrown's experiments showing how antigravity is generated mirrored the operation of Schauberger's repulsine in essence. Though Schauberger's work was more refined because it adhered to the natural flow of energy Schauberger understood so well and also generated it's own energy in an incredible way.

If only the author of that book had made the connection I did with Schauberger's repulsine people could be developing this technology right now! In a very short time they would have the evidence they need to prove this tech is real and from there quickly develop it.

Another thing that helped me understand how the repulsine works is that I discovered an article that showed that when scientists fired particles at gold the gold released an immense amount of antimatter... antimatter is the key to the "cold fusion" Pons and Fleischman discovered. This release of antimatter produces immense amounts of energy.Show breakdown of article here - gold to antimatter

This release of energy continually recharges the REPULSINE which continually produces the antigravity effect.There's something else I discovered about the Nazi Bell though.. I discovered this web page - this scientist was able to accelerate the decay of radioactive material using mercury.. Which was used in the bell. This would allow them to speed up the radioactive decay of thorium to charge the Nazi Bell to produce energy and antigravity. It's the repulsine essentially but more reliable and easier to control.

[Image showing the Nazi bell codename and meanings - Chronos - Saturn - the bell - German folklore - Thor - thorium ]

No one understands this. No one understands that TTBrown and Schauberger's work validates each other... and gives us the tools to understand how to recreate this technology. This is the big secret the government doesn't want getting out. With this info we can prove this technology exists and works and can be easily replicated.

There's something else I haven't gotten into yet. The famous Nikola Tesla. There's a connection between Tesla and the 9-11 event. Tesla was the master of electricity. And no one's work could be more suppressed than Tesla's. TTBrown and Schauberger's work leaked somewhat. But the people in power may have got to Tesla's work before it could leak. But Tesla did show some of his work publicly and made cryptic statements. He made a huge tower that he said would be able to transmit power all around the world to give free energy to the world.

The key to Tesla's tower was that it was built on top of an aquifer. Aquifer's are known to produce energy because water flows through the porous stone in such a way to transfer ions - energy to the stone like the Lord Kelvin experiment. Tesla's tower was built in a such away to tap into this power and then transmit it. The WTC was designed to create this same effect. The World Trade centers Twin towers were designed as immense antennas. It gets even weirder though because a lot of people don't know this, but Dr. Judy Wood discovered that there was a hurricane off the coast of New York on 9-11. It was barely reported in the news at the time. What I discovered is that the towers and the Hurricane were working together - in tune together. This provided the bulk of the energy necessary to destroy the towers over time after the planes supposedly struck them.

But there is another key to this as well. As I said, the Towers were built according to a plan from day one. They were specifically designed for their purpose. A symbol of the destruction of the old world order and then being rebuilt according to the New World Order. 2 divided buildings becoming one. But the original 2 buildings were also designed in such a way to make them ripe for destruction on 9-11. They were built in order to corrode internally. People don't know it but the Twin Towers were built in an area where there was no land before. The Towers are essentially built IN the harbors water. The bottom of them had a concrete structure called the "bathtub" designed to keep the water out from the foundation of the building. The buildings being built in this way allowed the towers to be built to rapidly corrode at an extremely accelerated rate which made them even easier to destroy using the advanced technology. Dr. Judy Wood noticed that when they built the new One World center building replacing the twin towers they built it in such a way that concrete totally encased the lower portion of the building. Dr. Wood thought they did it to stop an on going effect that the energy weapon the government used was still leaving some lingering effect. But in reality they had to use some method to prevent that corrosive effect they built into the original twin towers. The original Twin Towers were built like an immense battery - and the salt water of the ocean acted like a electrolyte.

This was also done in a way to create a gravity effect that brought the buildings down as if they were in free fall.. Which should have been impossible with the structure slowing itself down because of the Resistance it created. 

MONTAGE 3

SCENE 22.

SCREEN 3 (PANEL) 120.

CONT. - INT. MISFIT'S CONTROL CENTER

We see a camera view of River and Matilda riding the motorcycle before being taken to the home base.

(PANEL) 121.

We see a flashback shot in Rand's mind similar to other flashbacks we have seen when he thinks back and remembers seeing one of those power cells in the CIA machinery.

(PANEL) 122.

RAND

Wait that motorcycle.. River, where did you get it?

RIVER

When I got away from those goons at the crime scene I grabbed one of their bikes... 

(PANEL) 123.

RAND

That bike is a black project transport made for intelligence personnel. Seeing that bike just triggered a disassociated memory of mine. The power cells used on that bike and other equipment. That is what appears to be a high power energy cell - black project technology. They may be tracking something related to that cells unique characteristics.

(PANEL) 124.

RAND

(To Number One)

Get the tech guys in here and let's analyze this power cell. I have a suspicion this is producing whatever they are locking in on.

MONTAGE 1 

SCR3-25

SCENE 17.

SCREEN 1 (PANEL) 34.

Action continuing - Misfits getting wrecked

http%3a%2f%2fi.imgur.com%2fMe3DJgp.png [http://i.imgur.com/Me3DJgp.png]

MONTAGE 2

SCR3-25

SCENE 7. 

SCREEN 2 (PANEL) 52.

CONT. INT. SUBWAY STATION

GUNNER

How were you so certain that what you pieced together was right?

Also, what was the purpose of the 9-11 event for the people in power?

LIGHTFIELD

I knew I was right about a lot of it because there were things that I had predicted that were verified by other discoveries. This would take an immense amount of time to explain though because I would have to go through every detail I sifted through. But a good example is that I figured out how that Pons and Fleischman's discoveries were real then discovered Dr. Judy Wood's work and discoveries versified my own and we both did that completely separately. And there is so much evidence from her side showing the same indications.

The purpose of these events was to deal with the middle East. It seems to be the loose end in their bid for a one world government. They also need to gain control of the oil industry. It's their commodity for global control. Control the oil and you control the world economy. If the technology Schauberger and TTBrown discovered was released it would destroy their control apparatus. Economics is power. Economics buys military-technological superiority which equals power and control.

(PANEL) 53.

GUNNER

And they have that control now don't they? So much so that we are stuck underground here deep beneath the surface and can't even get this info out. Not for long at least, before they shut it down and bury it and discredit it. And we have no idea of who in the world to even trust anymore. Is there some way we can get the info out to the world even in hiding? There has to be a way.

LIGHTFIELD

We would have to find a way to get this info to the world in such a way where they couldn't erase it. 

What if there was someway we could use their own methods against them? Fight fire with fire?

Oh my god.. It can't be possible? Let me check something.. This can't be possible.

(PANEL) 54.

GUNNER

What is it?? Bad? I can't take anymore bad news today..

LIGHTFIELD

I have to check something.. It can't be..

(PANEL) 55.

Lightfield using the iFrames. we see him looking at different schematics - schematics we have seen earlier - such as the subway system.

LIGHTFIELD

Oh my god... I feel like I'm in a dream. There have been things that have happened throughout my life like this.. Where it's as if things are so perfectly aligned that it's not possible it could be just an accident or chance.

I think I have discovered a way that we can deliver this message to the world and the only way they can stop us is to destroy the entire island of Manhattan.. And even then it might not do it. They would have to kill everyone on Earth too.

GUNNER

How can that be possible?

MONTAGE 3

SCENE 23.

SCREEN 3 (PANEL) 125.

EXT. NYC STREET

Battling

Action continuing - Misfits getting wrecked

MONTAGE 1 

SCENE 17.

SCREEN 1 (PANEL) 35.

Action continuing - Misfits getting wrecked

http%3a%2f%2fi.imgur.com%2fMe3DJgp.png [http://i.imgur.com/Me3DJgp.png]

MONTAGE 2

SCENE 2. 

SCREEN 2 (PANEL) 56.

CONT. INT. SUBWAY STATION

LIGHTFIELD

When Dr. Judy wood was giving a presentation on the WTC and 9-11 I remembered her mentioning that underground all of New York was an immense slab of bedrock and the WTC's foundation was dug into it. You can see the granite bedrock all through these tunnels we have been traveling through.

I also remembered a story I heard about lightning hitting a building and it fried all the buildings within an immense radius of the building hit.. It turns out that granite has trace amounts of metal running through it - thorium - which is highly conductive of electricity.(like charge running through an electrical wire)

If this entire granite slab has thorium running through it like most granite does then we could theoretically use the entire slab of granite that makes up the bedrock of the island of Manhattan as an immense conductor. The same way Nikola Tesla did when he made his Wardencliffe tower which was designed to not only transmit electricity to any point on the planet but also information - wirelessly.

We could use the slab of granite bedrock that makes up Manhattan and all the buildings whose foundation is dug into the bedrock as an antenna to transmit the information."

GUNNER

So you are saying we could use the ENTIRE city itself as a transmitting antenna?? All the buildings on Manhattan itself?

(PANEL) 57.

LIGHTFIELD

Yes. Even the actual island itself will transmit the signal. Remember that immense power conduit we saw when we first entered the subway lines? That is the main line for the entire power grid of Manhattan. And from the blueprints I was just looking at, all you have to do to send the charge through the conduit itself and into the bedrock is to remove this piece and rotate it. It's as if it was designed for this purpose accidentally. But there would be absolutely no reason to design it to do this. It's just a fluke...

I have this feeling looking back all through my life that all these events that have happened are part of some preordained script. Like it's all scripted out. Now more than ever. That's the definition of crazy though isn't it...

GUNNER

Or maybe it's that you have some unique ability that allows you to see these things that others wouldn't?

(PANEL) 58.

LIGHTFIELD

That could be part of it but I feel there is something more to it. Some kind of order to things.

There's one catch though. We have to finish this before the power to the city is reinstated. And we have no way of knowing when that will be. If we do it too late we will have no way to do it without frying ourselves. The power could come on at any moment now so we have to get moving. 

There's another thing I need to tell you about.. It was like the cap to all this for me.. I discovered a video after I had learned all this.. And it corroborated everything I had determined before... It's called Westall 66.

MONTAGE 3

SCENE 24.

SCREEN 3 (PANEL) 126.

INT. MISFITS' GARAGE

The tech guys are scanning the power cell. 

TECHIE

When we run the bike up to speed the power of the cell ramps up dramatically.

Whatever is powering this is producing an immense amount of energy on demand.

(PANEL) 127.

Rand and Number one speaking together privately

RAND

I've got an idea...

MONTAGE 1 

SCR3-27

SCENE 18.

SCREEN 1 (PANEL) 36.

We see the luminary duo following the wrong trail.

MONTAGE 2

SCR3-27

SCENE 7. 

SCREEN 2 (PANEL) 59.

CONT. INT. SUBWAY STATION

GUNNER

What do we need to do?

LIGHTFIELD

Remember those construction tools we saw while we were traveling through the tunnels? 

Lightfield indicates where they were when they saw the tools in the iFrames subway diagrams.

PANEL

LIGHTFIELD

I'll go for those and start working on the transformer. I need you to find some different people to contact through the glasses who can notify the world to tune into our signal when we get it going. But these people have to be people we know we can trust because if the shadow group figures out where we are they could track us down before we can get to safety. But how we can find people we know we can trust I don't know.

GUNNER

We might just have to gamble on the best bet we can find.

MONTAGE 3

SCENE 25.

SCREEN 3 (PANEL) 128-131.

EXT. NYC STREET

Close-up on the CIA bike power cell as we pull back - a Misfit commando is riding the streets with one of the Misfit drones tracking them.

We see the Rand Surveillance crew and Number One supervising the maneuver.

SCENE 26.

SCREEN 3 (PANEL) 132.

INT. MISFITS' CONTROL CENTER

NUMBER ONE

Keep the speed up, crisscross the original path and lead them north away from home base. 

We want to keep the conditions as similar as possible to the initial trail. 

(PANEL)133.

We see a diagram of the 2 cycle tracks - the original and the new. 

(PANEL)134.

We see the CIA moto go by a targeted area on the screen

RAND

Detonate the points where the paths intersect and remove the original path.

Send troops to the false path.. We've got to make it look as if we are trying to prevent them from going that way...

MONTAGE 1 

SCR3-28

SCENE 19.

SCREEN 1 (PANEL) 37.

Luminary duo realize they have been had and find their correct course.

MONTAGE 2

SCENE 7. 

SCREEN 2 (PANEL) 60.

CONT. INT. SUBWAY STATION 

As Lightfield initiates the iFrames and they access and send information at the same moment we see the CIA computers detect this and send info out to the same web we saw before when the sensor system detected the gravity waves from THE MACHINE.

MONTAGE 3

SCR3-28

SCENE 27.

SCREEN 3 (PANEL) 135.

INT. MISFITS' CONTROL CENTER

INTEL OFFICER

They've taken the bait! The Elementals have taken the bait!

We see the Elemental Duo taking the course set by the misfits to lure them away from the true target.

(PANEL) 136.

River is watching the monitors and the Luminary duo in the distance on the drone cam... 

RIVER

(To Matilda)

Matilda, if this doesn't work, we can run away from here... we can go someplace where they won't find us...

MATILDA

River, I loved you... but I realized a long time ago I could never be with you.. I could never run away with you now.. You only think about yourself... you are a narcissist... both my parents were narcissists.

Narcissists are defined as spoiled bratty children in grown up bodies and minds essentially.. With a grown ups weapons...

(PANEL) 137.

RIVER

At least you don't have to worry about the glitz and glamour anymore..I'm going to be in hiding for the rest of my life it seems.

MATILDA

Its not just that though.. NPD - Narcissistic personality disorder isn't just about vanity... narcissists are impossible to live with.. There's a sadistic aspect... emotionally.

If you aren't selfish why can't you see the big picture here?

(PANEL) 138.

TECH GUY

(To Number One)

Captain, the Luminary team is reversing course!

NUMBER ONE

Pull the troops in behind them - hit them from the front and the back. Get creative people - improvise, overcome adapt!

MONTAGE 1 

SCR3-29

SCENE 20.

SCREEN 1 (PANEL) 38.

SCIA control center -

MAN WITH THE SCAR

(to Dr. Forestall and the 4 other pillars via mental transmission)

There is a massive charge developing all over the bedrock of Manhattan. It's forming a dome of charge over and entire southern tip. BY our readings it will soon be impervious to any attack or attempt to penetrate it.

MONTAGE 2

SCR3-29

SCENE 7. 

SCREEN 2 (PANEL) 61.

CONT. INT. SUBWAY STATION

Lightfield and Agent Gunkowski have used the power tools they saw in the abandoned subway line to run the power from the conduit through a metal structure that runs through the bedrock aquifer.

GUNNER

I tried to find someone to contact but every person I considered was either directly connected to these groups in power or in a position where if they acted they would likely be railroaded just like us. There was only one person left I felt might be willing to help us and even then I don't know...

I'm going to try to contact River again... he is the only person I feel certain isn't connected to these groups in some way who we can contact right now and who can possibly get this information out.

Gunner tries to call River with the iFRAMES.

MONTAGE 3

SCENE 28.

SCREEN 3 (PANEL) 139.

INT. MISFITS' CONTROL CENTER

INTEL GUY

Sir, at the current rate of movement they should be here in T-minus 20 minutes.

SCENE 29.

SCREEN 3 (PANEL) 140.

EXT. NYC STREET

The Luminary duo continues marching on course.

SCENE 30.

(PANEL) 141.

INT. MISFITS' CONTROL CENTER

NUMBER ONE

Mechanoids team, you're up. 

Pull all the other troops back to let the Mechanoids attack. Fall back to home base for final assault.

(PANEL) 142.

6 high tech super alloy suits go in for the battle.

PFD31

(PANEL) 143.

INTEL GUY

Sir, there are media reports of an electromagnetic charge developing all over the island are increasing tremendously.

(PANEL) 144.

River suddenly gets a call he recognizes on his phone.

AGENT GUNKOWSKI

River, this is Gunkowski. 

We need you to do something desperately we have no one else to turn to. No one else has the ability you do to get this information out...

We have devised a method to get information out to the masses that will give them the ability to see that this is all real. But they have no way to know how to tune in unless someone can get that word to them. Someone they trust..

By contacting you now we are likely leading our pursuers to us.. So we don't have much time. It's imperative you find a way to inform the world to tune into the message we are releasing now.

SCREEN 3 (PANEL) 145.

RAND'S #1

The Elementals are making easy work of the Mechs! We won't be able to hold them much longer!

MONTAGE 1 

SCR3-30

SCENE 21.

SCREEN 1 (PANEL) 39.

CIA COMPUTER

DATA ACQUIRED - TARGET (AGENT GUNKOWSKI) CELL PHONE CARRIER SYSTEM SIGNAL DETECTED

SCENE 22.

(PANEL) 40.

LUMINARY DUO LEADER

If we self destruct the whole building would be destroyed. But we have yet to capture the prime targets. They may not be at this location.

MONTAGE 2

SCR3-30

SCENE 7. 

SCREEN 2 (PANEL) 62.

CONT. INT. SUBWAY STATION

Gunner gives Lightfield the iFRAMES to explain to the MISFITS how to deal with the Luminaries.

LIGHTFIELD

It's like I said - the charge keeps them from moving through the area charged. Release water on the roof of the garage and the building will charge it.

MONTAGE 3

SCR3-30

SCENE 31.

SCREEN 3 (PANEL) 146.

EXT. MISFITS' GARAGE

The Luminary duo has arrived at the Misfits improvised garage base.

(PANEL) 147.

The Luminary duo can't get through the charged water..

SCENE 32.

(PANEL) 148.

INT. MISFITS' CONTROL CENTER

TECH GUY

They appear to be trying to test the charged wall to find someway through

SCENE 33.

(PANEL) 149.

EXT. MISFITS' GARAGE

They stand looking for an opening and trying to calculate what is stopping them.

SCENE 34.

PANEL) 151.

INT MISFITS' CONTROL CENTER

LIGHTFIELD

(Lightfield to Rand and Co.)

with the technological advancements they have it is only a matter of time before they get through.. You have to destroy them before that can happen..

I think I know how you can get through those suits and terminate them.

First connect your artillery laser cannons to the antenna tower on top of the garage then you have to fire a separate laser cannon at each of them. Then the charge collecting on the building will travel through the laser and penetrate their suits and vaporize the assassins.

HUDSON RAND

That's brilliant... the lasers will ionize the air around the beam which will act as a conduit for the electrical charge. It's like controlling a lightning bolt from the heavens to do exactly what you want it to do.

Artillery! Prepare for laser attack on the intruders!

(PANEL) 152.

Rand receives a call on his cell phone.

HUDSON RAND

Lightfield, I just received information that you and Gunkowski have been been pinpointed and are surrounded by the shadow government's data mining network. I have been told there is no way you can escape from their net closing in on you. You must close your transmission now because they will be able to pin point your exact location. Do not disclose your location over the cell network either! We will find you and eliminate your attackers!

MONTAGE 1 

SCR3-31

SCENE 23.

SCREEN 1 (PANEL) 41.

LUMINARY MAIN LEADER

We've acquired a signal. Agent Gunkowski attempted a call from somewhere in this location.

(Indicating on a 3d map generated)

MONTAGE 2

SCR3-31

SCENE 7. 

SCREEN 2 (PANEL) 63.

CONT. INT. SUBWAY STATION

HUDSON RAND

We will find you and eliminate your attackers!

LIGHTFIELD

They said we have to find some way to protect ourselves.. There is no way out of the net they have around us.. And I couldn't give them our location to rescue us.. We have to figure this out on our own.

MONTAGE 3

SCR3-31

SCENE 35.

SCREEN 3 (PANEL) 153.

EXT. MISFITS' GARAGE

The Misfits fire on them. The luminary duo is writhing and smoking in pain and then finally implode and only liquid metal remains.

MONTAGE 1 

SCR3-32

SCENE 24.

SCREEN 1 (PANEL) 42.

The Luminary main leader is close to Gunner and Lightfield's location with the metallic mist spreading from him penetrating every open space in the area and expanding all around.

He suddenly gets a transmission from the Luminary duo...

The Luminary leader and the rest of his trio see and hear the Luminary Duo being killed horrifically.

MONTAGE 2

SCR3-32

SCENE 7. 

SCREEN 2 (PANEL) 64.

CONT. INT. SUBWAY STATION

GUNNER

If we can't escape and there is no way to beat them then what is our option?

Lightfield is staring up at the domed stained glass roof of the train station... watching the sunlight come through.

(PANEL) 65.

And seeing the charge that's built up on the glass dome that is covering the entire city..

(PANEL) 66.

Suddenly a massive lightning bolt strikes a spire sticking up from the pinnacle of the stained glass dome!

LIGHTFIELD

If we could only figure out some way to destroy all the glass on the dome..

GUNNER

I could shoot it.. Or use a flashbang

(PANEL) 67.

LIGHTFIELD

It would take 1000 times the ammo we have.. And 100 times the flash bangs.

What we need is a big explosion..

Lightfield is looking all around for something to use to save themselves..

(PANEL) 68.

LIGHTFIELD

I have an idea! 

He runs to one side of the train station and climbs up to the top of the tunnel almost falling down.. Using all his strength to get up there. 

(PANEL) 69.

He swings his legs around the pipe to support himself 

(PANEL) 70.

And use his arms and hands to twist a valve.. 

(PANEL) 71.

Suddenly some type of gas shoots out at high pressure... 

(PANEL) 72.

you can see the gas rising up to the top of the dome filling it.. It stinks...

GUNNER

Is that natural gas....

Of course!

(She just realized what he's doing)

(PANEL) 73.

LIGHTFIELD

We need to fill the whole dome before they get here!

We need one of your flash bangs!

(PANEL) 74.

They stand there looking up.. Trying to calculate when enough time has passed because for the most part the gas is invisible...

(PANEL) 75.

Suddenly something catches their eye.. Deep in the tunnels they see something coming... something reflective..

GUNNER

Is that them?!

LIGHTFIELD

Throw the flash bang! Now!

Gunner throws the flash bang as far as she can... They dive into an enclosed area for protection...

(PANEL) 76.

LUMINARY 3

We've made visual contact! Leader - I've made vial contact! 

The coordinates are transmitted. They all start flying to the targets

(PANEL) 77.

At this exact moment the flashbang ignites the huge volume of gas filling the dome and all the glass shatters... the immense fireball then sets off the sprinkler system built into the dome and water floods down the walls of the subway station... the charge all over the exterior of the station and the dome begins electrifying the water all around them...

Moments later the Luminaries begin arriving at the scene. They true to fly through the sheets of water but are unable to penetrate it.. The charged field repels them, too.

LUMINARY LEADER

(While looking for any laser cannons that might be around)

We have to find some way through the field..

Gunner and Lightfield sit in their protected area watching the luminaries plotting against them through the electrified field.

MONTAGE 3

SCR3-35.

Scene 36.

SCREEN 3 (PANEL) 154.

INT. MISFITS' CONTROL CENTER

HUDSON RAND

(To River and Matilda)

Because we can't find Agent Gunkowski and Lightfield in the tunnels to rescue them from the Elementals we have devised a method to pull them away from attacking to defend their commanding officers. Stay here under all circumstances. They have no way to find you here.

(PANEL) 155.

River and Matilda stay behind watching the troops and heavy artillery trucks moving towards skyline on the command center screens.

(PANEL) 156. 

We see the remaining Misfits begin to attack the CIA troops and military. This is a full on war in the middle of the city,

MONTAGE 1 

SCR3-33

SCENE 25.

SCREEN 1 (PANEL) 43.

Dr. Forestall communicating mentally with many different leaders.

DR. FORESTALL

We have considered all options available.. We have no technology that can penetrate the charge that has developed forming a shield all around the city.

Our only available option is to accelerate our plans and initiate the elimination of the profane.

CIA MILITARY OFFICER

Sir, we have another issue. Some rogue military element is attacking our outpost here.

(PANEL) 44.

DR. FORESTALL

Notify the Luminaries.

SCENE 26.

SCREEN 1 (PANEL) 45.

The Luminaries are still trying to calculate some way to penetrate the electrical field and then receive their new order. Like reprogrammed robots they instantly respond to their new task without the slightest hesitation they are gone in a flash.

(PANEL) 46.

Gunner and Lightfield watch in disbelief as they suddenly take off.

(PANEL) 47.

Gunner hears news reports on her IFrames at the same time. There are reports of a battle in the city - terrorist militia are attacking the CIA & armed forces.

GUNNER

The Misfits are attacking the CIA man-power structure. They found a way to pull the attackers away from us.

MONTAGE 2

SCENE 2. 

SCREEN 2 (PANEL) 78.

INT. SUBWAY TUNNELS

Gunner and Lightfield move through the tunnels, exhausted. 

(PANEL) 79.

As they travel Lightfield continues to monitor the news while trying to determine the best course through the tunnels to get off the island. 

(PANEL) 80.

Reports start coming in from different government sources through the iFrames about weather warnings which are dramatically increasing.

GUNNER

I think I'm going into shock. I started feeling like I was in an icebox in the middle of everything. 

LIGHTFIELD

It isn't just you... I am cold too.. The closer we get to the surface the colder it's getting. And I've been getting weird police and government reports all over the city from the services still operating... like random hailstorms with hail the size of baseballs. Birds have begun migrating en masse which isn't supposed to happen for months. The temperature above ground is even lower than down here because we are insulated.

(PANEL) 81.

We see images Lightfield sees illustrating his descriptions.. Hail.. Sleet rain... birds migrating.. visions of cold temperature. The polar vortex forming over the center of the US.

LIGHTFIELD

Meteorologists are talking about a polar vortex forming over the the US again. The last time we had one of these it was in the dead of winter. They say it's unprecedented to see something like this this time of year. More people are fleeing the city.

We're getting close to the the World Trade center. About a mile after that and we are on the mainland and can get some food, water and warm clothes.

GUNNER

I'm starting to see light up ahead.

(PANEL) 82.

LIGHTFIELD

According to the transit map the light area we see ahead is the old WTC subway station from before the towers were rebuilt

(PANEL) 83.

WEATHER REPORT - SCIENTIST

Paula - we have never seen weather patterns develop this rapidly in the history of documenting meteorological data - If you extrapolate the data we are receiving now the polar vortex we see here will increase to catastrophic levels in a matter of days.

(PANEL) 84.

Gunner and Lightfield continue traveling through the subway stations to the light. The trains were stopped and the passengers evacuated from them long ago. 

(PANEL) 85.

GUNNER

What are these weird eye symbols on the walls? They have an odd luminosity.. I can even see them in almost total darkness in here.

LIGHTFIELD

I don't know.. I have been through this station many times before but I don't remember seeing them for some reason. 

(PANEL) 86.

As Gunner and Lightfield travel through subway stations they notice the eye symbols all over along the way. There's something different about this stretch of tunnels.

WEATHER REPORT

Scientists have detected an immense hole in the magnetosphere that continues to develop at an increasing rate.

(PANEL) 87.

Lightfield and Agent Gunkowski enter into the Park Place subway station and see an immense mural on the ground glowing in the darknesss...

LIGHTFIELD

Agent Gunkowski, look at this image in the glasses. It looks identical to the mural here on the ground...

GUNNER

I can see it in the darkness too.. Like the eyes on the way here... I've seen that symbol before - look here - 

PANEL

LIGHTFIELD

That's called the eye of Horus - it's an Egyptian symbol. 

(PANEL) 88.

GUNNER

I have seen that somewhere before... I've got it.. the FBI worked on a murder case and this symbol was on the wall in blood. A military doctor killed his whole family in cold blood. He said he was setup and swore his innocence. He said he reported to his superiors that someone in the military was smuggling drugs into the country in the bodies of dead soldiers coming home.

LIGHTFIELD

After 9-11 I remember there was a ceremony where members of some government group formed an eye symbol with their delegation marching on ground zero.. They were commemorating something. Look here(Grim shows her some images in the iFrames)

(PANEL) 89.

It says here this delegation participating in this march and making this eye of Horus symbol was a Freemason delegation. It includes heads of the fire department.. The mayor etc. 

(PANEL) 90.

I never noticed this when studying the WTC but here in the middle of the WTC buildings you see this odd pyramid structure.

I did a search for eye of Horus and Freemasonry and an immense amount of information came up relating to the Freemasons and Egypt. Everyone's aware of the pyramid on the dollar bill and that being a Freemason symbol. Some people say it symbolizes the power structure of these secret societies - the pyramid structure with the elite being the small group at the top. But I always thought that was crazy conspiracy stuff.

What could the Freemasonry-Egypt connection be with the WTC complex? Why this eye of Horus? My instincts tell me there is some reason we are seeing all this.. There's some purpose to it all...

MONTAGE 3

SCENE 36.

SCREEN 3 (PANEL) 157.

CONT - INT. MISFITS' CONTROL CENTER

We see the Misfits sacrificing themselves on the Control center screens - so does River.. 

TOO BE CONTINUED

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