Vincent sat quietly in his hospital bed, slowly listening to Charlotte with a red nose. Charlotte's
long-winded way of speaking greatly lengthened the time of the story and greatly reduced
the amount of useful information in the story. If it hadn't been for some helpful notes from
his tall nephew Mark, the wizard would never have heard any useful information.
"So you dug me up under that mithril ore?" "You want to buy some mithril?" Vincent asked.
He thought about it carefully. Moonport, even by a miracle, would not survive the giants'
attack; And the archduke's castle must have been ruined after his battle with Thomas. The
true owner of the mythrix mines, Duke Murray, is unlikely to have survived. On top of that,
under Greafury's laws, mithril and fine gold had to be registered and could not be kept for
private possession. There is no record of this amount of mithril in the whole of Greafury, which
means that the mithril is private and can be considered "illegal". Even if the Lord of Greafury
survives, he will not return to search for the mithril. In other words, these precious minerals
now have no owner.
"If you want them, take them. I don't need these things now. ' Vincent thinks for a moment
and says.
'Really? Really really?? That's great." Charlotte was jumping with joy. "Mark heard that? He
said yes. That'll pay for my research! The elders will surely reward me."
"Charlotte, let me ask you again, where are the rest of my things? Especially where is my
backpack?" All Vincent needs now is his spell book. He must remember the spells again.
'It's right next to you. We haven't dared to touch it.' Mark said, "I remember the day before
yesterday, the bag moved by itself. It scared me to death."
Vincent smiled, "There is my pet in there, a little snake. You don't have to be afraid. Can you
bring it for me?"
The backpack was immediately returned to the wizard. Vincent opened it and a small green
snake crawled out of the bag. Vincent reached out his hand to the snake's head and said,
"Snake, look at these two dwarfs, uncle and nephew."
As soon as he said these words, Vincent sensed something was wrong. Supposedly, there is
a telepathic relationship between a mage and his pet. They can feel what is going on in each
other's heads. Although the snake was standing right in front of him, Vincent could not feel
each other's thoughts. He watched the snake bend up and stare at him with its two red eyes.
After spitting out the letter twice, Vincent suddenly bit the master.
With a wave of Vincent's right hand, the little snake flew out and landed in the corner of the
room.
'What's the matter? Charlotte and Mark avoided the snake and asked anxiously, "Why did you
throw it away so suddenly?"
"I don't know what happened. I can't feel my pet anymore. It, too, seems like a strange snake
that doesn't recognize me." Vincent looks at the little snake. The little blue snake is huddled
in the corner of the room, keeping a watchful eye on the three people here.
"What should we do then? Shoot it? ' Charlotte frowned. "Is he dangerous?" she asked.
"No, don't! Vincent shook his head. "He has been with me for many years, and now he is
almost an ordinary snake. You'd better find a forest and set him free. Maybe he still has some
of the special powers he acquired as a pet. He should be able to take care of himself."
The little snake tilted its head, looked at the few people present, vomited the letter twice,
turned and swam away.
Looking at the little snake moving away, the mage could not understand what was going on.
Reluctantly, Vincent gently sighed, picked up his spell book, opened the familiar cover,
smelled the familiar smell of ink with special spices, saw his five years in the academy left line
by line, notes full of magic and knowledge, he felt the power returned to his side.
"Thank you both for your care, but I would like to remember my magic in peace. Would you
excuse me for a moment? '
'Oh, oh. Absolutely no problem." "I just have to tell the council that you're awake and that
you can use the mithril," said Charlotte, pulling her nephew out of the room. "I'll leave you
alone for the moment. There's no reason why they won't let me work on my machine this
time!"
Vincent watched the two men go out of the room and shut the door. Then he lowered his
head and slowly began to remember the magic he had learned.
The master of Blasares had to do his daily homework by recalling the text of each spell. This
process of memorization is a form of mental exercise. Only a mage with a good enough
memory could have memorized so many convoluted incantations in his head. And when they
used those spells, that memory would disappear along with the amount of magical energy
they used.
The more advanced the spell, the more complex its components become. The more mental
power the mage will have to expend while memorizing. This is how the Guild ranks a caster.
The more complex spells they can remember, the higher the caster's rank will be.
A case of theft: this story is not rightfully on Amazon; if you spot it, report the violation.
Spells are not memorized in a fixed way, and some very smart mages are able to find patterns
in these spells; Or there are mages who are able to have an instinctive reaction to use some
magic in the process of memorizing and using magic over and over again. These mages are
able to remember more magic at a time than the average person, and are also able to
remember more advanced spells. They were the best of the mages and became the elite in
their field.
The seven Grand Mages of the Mages Association, that's who they are.
Unfortunately, the mysteries of magic are not an easy thing to learn, and they are more
particular about perception than simple rote learning. A good tutor is one who more
frequently invites the apprentice to think and study, rather than simply to read the magic
notes of his predecessors. The fact that Vincent was able to develop into a great caster in
such a short period of time has nothing to do with Kartho's good teaching.
Some people believe that they can use magic by memorizing the spell when magic is cast
and using the right spell materials. All attempts of such people failed without exception. When
a magic spell is being used, the passage chanted is merely the cue that triggers the spell, and
the cue may be different for different people using the same spell. There are even people
who do not need to use the cue, and do not need to say a word at all, this ability is called
spell casting. Even when a spell is cast, the action can be omitted; And there are those who
can cast magic with a single thought, without any "lead" at all. These are very unique
techniques. On the other hand, using these techniques requires changing the structure of the
spell as it is prepared. This greatly increases the complexity of the spell, making a low level
spell as complex as a high level spell. Ordinary mages call this a "superspell".
And then there are those who have a strange pedigree, and are able to wave their arms like
the rest of us, and instinctively elicit magical powers. They are free to use all types of magic
in a way that is less like humans and more like animals that use magic -- dragons, for example.
The more they are able to explore their potential and understand their own characteristics,
the better they will be able to use their magical talents. This kind of person usually lives like
an artist, characterized by grace and great affinity. The magical abilities of these people,
however, derive more from their lineage than from their knowledge, and although they may
cast a relatively high number of spells per day, they do not have a comprehensive
understanding of the mysteries of magic and use a very limited variety of spells. Magic, for
them, is a tool rather than a subject of knowledge. They are commonly known as warlocks.
Knowledge is power, and only the understanding and analysis of individual spells, written in
spellbooks, and the corresponding records of spells, are the true secrets and sources of a
mage's magical power. The Grimoire is the sorcerer's life.
And just then, a grimoire tore through the thin cloth used to make the Windows of a sickroom
in the Gnome city and flew down from the high platform. The wind rattled the pages, and the
book, like a bird with a broken wing, fell to the ground with a thud of longing to fly into the
sky.
Out of an ordinary room on that platform rushed a one-armed human, who grabbed the
aisle guardrail with one hand and, at the top of his throat, shouted: "My magic!!" 'and dropped
to his knees as if he had lost all his power. His right hand was still clinging to the railing,
muscles tangled and protruding, trying to vent all his anger, disappointment, and pain on the
iron railing.
A dwarf child with candy in his hand looked curiously at the big man running from next door.
The creature had a beautiful robe embroidered with stars and waves, just like the sorcerer's
robe his mother and father had mentioned. However, he shouted and fell to the ground,
which made the little boy feel very strange. Curious, the little boy went over to the big man,
reached out for a piece of candy, and said in a gnomish voice, "Big Uncle, what's the matter
with you? Do you want some candy? It's sweet."
The big man cocked his head and looked at the little one. His pure black eyes stared at the
little one. The little guy had two lines of snot hanging on his face, turned his head slightly to
one side, and looked at the big man in front of him with his big clear eyes. He held out a small
pink hand, and in his heart was a candy wrapped in colored paper. How would anyone else
on the continent have dared, as this child did, to approach a sorcerer in a state of rage and
madness?
The mage stared at the little creature without moving for a moment. His eyes gradually
returned to their normal state. He released his grip on the railing, wiped the little creature's
snot with his sleeve, and took the pitifully small piece of candy.
"What's your name, little fella?
"My name is Toby! And you? Uncle Big?"
"Me? My name is Vincent. '