A cabin remained half-rooved on its eastern face by pelts of dead things while the west slanted with a freshly cleared and smooth metal—it stood alongside a dugout stocked with crates; the structures overlooked an open plain of snow from their hilly perch and beyond that there were black jagged trees against the dreary yonder. Though the wind pushed as an abrupt force against the cabin’s walls, within the noise was hardly a whisper and the heater lamps along the interior walls of the large singular room offered a steady hum that disappeared even that.
The room had two beds—one double and another short cot pushed into a corner— and each was separated by a thin curtain nailed to the overhead support beams; the curtain caught in the life of the place, the gust from the heater lamps, the movement of those that lived there, and it listed so carefully it might not have moved at all.
Opposite the beds on the far wall, there stood a kitchen with cabinets and a stove, and the stove was attended by a thin young woman; she was no older than her second decade. In the corner by the stove just beyond where the kitchen counter ended, there sat a rocking chair where an old man nestled underneath pelts and a wool blanket, and he puffed tobacco and he watched the woman as she worked—she stirred the pot over a red eye and examined the liquid which lowly simmered. The man watched her silently, eyes far away like in remembrance. He absently pushed his gray mustache down with the forefinger and thumb of his right hand. Smoke came from the pipe in spider string and the man blinked dumbly.
Amid the place where pelts lined the floor between the far wall of beds and the far wall of the kitchen, there sat a young pale boy with a scrap of canvas rubbish in the center—he used the canvas strip, browned and filthy, like a bird in his play, spreading the strip out and letting it fall to the ground. “Fly,” whispered the small boy to the strip; each time he lifted the rubbish, it fell to the floor by his crossed legs, and he repeated this process.
The adults ignored the boy, and the woman swiped the back of her hand across her forehead then wiped her knuckles down the front of her blouse. “It’ll be ready soon,” she said.
The man nodded then drifted off in his long expression again, staring at the door which remained closed. Wind speed pitched and the door seemed to warp inward. Alongside the door, there sat a thick glass porthole which one could use to look out on the snow-covered landscape; the curtains before the porthole were mostly drawn but on late evenings, light splintered through ghostly.
Shrugging of his warm coverings, the man lifted from the chair and crossed the room to pull aside the curtains; he stood there in the light of the hole, painted dull in his gray thermals. He watched outside, scratched his receding hairline and when he moved to shut the curtain, he saw the boy had joined him there at the window. The man smiled, lifted the curtain, and angled from there, allowing the boy to peer outside; he puffed on his pipe heavily, holding the thing stiffly with his free hand and offering a glance to the woman by the stove who watched the pair from where she was.
“I can’t even see the road,” said the boy.
The man nodded, “Snow covered it.”
“It’s winter?”
Again, the man nodded.
Winter, with the mutated ecology of the planet, was nearly a death sentence in northern Manitoba. Those places just north of Lake Winnipeg were mostly forgotten or abandoned, but there still lingered a few souls that dared the relative safety of the frozen wasteland—sometimes curious vagabonds, sometimes ex-convicts, or slaves, sometimes even criminals upstarted townships where there was nothing prior.
“Pa, I see someone,” said the boy.
The man angled forward again, squinted through the porthole, and puffed the pipe hard so his face glowed orange then moved surprisingly quickly to hand the pipe to the woman; she fumbled with the object and sat it upright on the counter while he rushed to remove a parka from a wall hook by the door. He shouldered into the thing and then leapt to the place by the door where his boots were kept and slammed into them each, knotting them swiftly.
“What is it?” the woman’s voice shook.
They caught one another’s eyes. “Snowmobile,” said the man.
“One?”
He nodded and strapped his gloves on then moved to the latch of the door—before levering the thing, he took another glance at the boy.
“We’ll shut it behind you,” said the boy. The woman nodded.
The door swung inward with explosive force and the outside wind ripped into the warm abode. The man immediately shivered and stumbled into the snow, appropriately clothed save his legs where only his gray thermals clung to him.
After spilling into the boot-high snow, the man twisted around and aided the others in shutting the door behind him; he pulled as they pushed, and he listened past the howling wind for the latch on the opposite side of the door. He let go of the door and spun to inspect the far-off blinding whiteness—clouds of snow were thrown up in the wake of a barreling snowmobile; it headed towards him, first from between the naked spaces between the black trees then into the open white. The man threw up both his hands, waving the snowmobile down, long stepping through the arduous terrain till he came to the bottom of the perch that supported the cabin. His shouts of, “Hey!” were totally lost in the wind but still he shouted.
The snowmobile braked twenty yards out from the man and the stranger on the machine killed the engine, adjusted the strings around their throat and threw off the hood of their own parka to expose blackened goggles beneath a gray tuque; a wrap obscured the lower half of their face. The stranger took a gloved hand to yank the wrap from their mouth and yelled over the wind a greeting then removed themselves from the seat to land in the snow.
“Cold?” offered the man with a shout.
The stranger nodded in agreement and removed an oblong instrument case from the rear storage grates of the snowmobile then took a few careful steps towards the man.
“Dinner’s almost ready! I’m sure you’d like the warmth!” The man waved the stranger closer and the stranger obliged, following the man towards the cabin; each of the figures tumbled through the snow with slow and swiveling footwork. The man stopped at the door, supporting himself on the exterior wall by the porthole.
The stranger angled within arm’s reach, so the man did not have to yell as loudly as before. “Guitar?” The man pointed at the case which the stranger carried.
The stranger nodded.
“Maybe you’ll play us something.” he pounded on the metal of the exterior door, “It’s been some time since I’ve heard music.” The door opened and the two stumbled into the cabin.
The stranger shivered and snow dust fell from their shoulders as they deposited the guitar case on the floor by their feet—they moved directly to help the man and the boy close the door while the woman watched and held her elbows by the porthole.
With the door sealed and the latch secured, the man removed his parka so that he was in his boots and thermals.
The stranger removed their own parka, lifted the goggles to their forehead, and stepped to the nearby heater lamp to remove their gloves and warm their hands against the radiating warmth; the stranger was a young tall man with a hint of facial hair just below his nose and along his jaw. He wore a gun belt occupied on his right hip with a revolver. His fingers were covered in long faded scars all over. “Thanks,” said the young man, “Clarkesville far? I think I was turned around in the snow. I’m not so used to it.”
The older man went to his rocking chair to cover himself with the wool blanket; he huffed and shivered. “At least a hundred kilometers west from here. You’re looking for Clearwater?”
The young man nodded then shifted to place his back to the heater lamp so that he could look on the family fully. “I’m Gomez,” he said to them. The man in the rocking chair stiffened in his seat and craned forward so that his boots were flatly planted before him.
The boy offered his name first with a smile so broad it exposed that his front two teeth along the bottom row were missing entirely. “Patrick,” said the boy.
The woman spoke gently and nodded in a quick reply, “Tam-Tam.”
“Huh?” asked the man in the chair, “You’re unfamiliar of the area? Where are you from?”
Gomez stuffed his arms beneath his armpits. “Originally?”
The man motioned for his pipe and Tam-Tam handed it to him—puffed on the dead tobacco and frowned. He nodded at Gomez.
“I’ve been making my way across the U.S. Mostly western territories, but I heard it was safer in Canada—North Country. Fewer prowlers. Originally though? Far south. Zapatistas—joined their cause for a bit, but,” Gomez looked to the guitar case on the floor, “I was better at music than killing. Or at least preferred it.” The young man let go of a small laugh, “Do you know anything of the Zapatistas?”
The man nodded, stroked his great mustache, and craned far to lift matches from the counter. He lit the pipe, and it smoked alive while he shook the match and puffed. “Durango.” The man hooked a thumb at himself.
Gomez nodded. “I played there before. Good money. Good people.”
The man grinned slyly over his pipe, “What are the odds? All the way up here?”
“It’s a small world,” Gomez agreed, “It’s getting smaller all the time. What are you doing so far from home?”
“Same as you. It’s safer, right? Everyone said, but I’m not so sure.”
The boy interjected, “You play music?” Patrick neared the case which sat on the floor, and he leaned forward to examine the outside of the object; it was constructed from a very hard, shining, plastic material.
“I do,” said Gomez.
“I haven’t heard music before. We sing sometimes, but not music for real,” said the boy.
Gomez frowned. “How old are you?”
Patrick turned to the man in the chair. “Pa?”
“He’s six,” said the man.
Tam-Tam shook her head, removing the pot from the hot eye. “He’s almost six.”
“Almost six,” said the boy, turning back to look at the stranger.
Gomez shook his head. “Almost six and you’ve never heard music? Not for real?” He sniffed through a cold clog and swallowed hard. “I’ll play you some.”
Patrick’s eyes widened and a delicate smile grew across his mouth.
“I’m Emil,” said the man in his chair, “You offered yours, so my name’s Emil.” Smoke erupted from his mouth while the pipe glowed orange. The older man wafted the air with his hand to dispel the smoke.
Tam-Tam Shut off the oven and placed the pot of stew on the counter atop a towel swatch and she pressed her face to the brim and inhaled.
“Is it good, dear?” asked Emil leaning forward in his chair by the counter to question the woman; the woman lifted a steaming ladle to her mouth and sipped then nodded and Patrick moved quickly to the woman’s side.
The boy received the first bowl and then turned to look at the interloper, metal spoon jammed into the side of his jaw while he spoke, “Play some music.”
“After,” said Emil, placing the pipe on the counter to grab himself some grub.
Emil ate while rocking in his chair and Tam-Tam leaned with her back against the counter, sipping directly from her bowl without a utensil. Gomez took his own bowl and squatted by the front door, pressing his lower back against the wall for support; Patrick, eyes wide, remained enamored with the strange man and questioned more, “Pa said it's warm in other places, that it’s not so dark either. What’s it like where you come from?”
Gomez smiled at the boy, blew on the spoonful he held in front of his lips then nodded, “It’s dangerous, more dangerous.”
Patrick nodded emphatically then finished his food with enthusiasm.
The stranger examined the bowl while turning the stew in his mouth with his tongue; the concoction had long-cut onions, chunked potatoes, strange jerky meat. “Pelts,” said Gomez.
Stolen content warning: this tale belongs on Royal Road. Report any occurrences elsewhere.
Emil perked with a mouth, unable to speak.
“You have pelts all over—are you a hunter?”
Emil swallowed back, “Trapper,” he nodded then continued the excavation of his bowl.
“Elk?”
The old man in the chair hissed in air to cool the food in his mouth then swallowed without hardly chewing, and patted his chest, “Sometimes.”
Gomez stirred his bowl, took a final bite then dipped the spoon there in the stew and sat the dish by his foot and moved to kneel and open his instrument case.
“It’ll get cold,” protested Tam-Tam.
Gomez smiled, “I’ll eat it. Your boy seems excited. Besides, I’d like to play a little.” He wiggled his scarred fingers, “It’ll work the cold out of my hands.”
He pressed the switches of the case while turning it on its side and opened it to expose a flamenco guitar. Patrick edged near the stranger, and Gomez nodded at the boy and lifted the guitar from its case, angling himself against the wall in a half-sit where his rear levitated. Gomez played the strings a bit, listened, twisted the nobs at the head of the guitar.
“Is that it?” asked the boy.
Gomez shook his head, “Just testing it. Warming my hands on it.”
In moments, the man began ‘Paloma Negra’, singing the words gently, in a higher register than his speaking voice would have otherwise hinted at. Patrick watched the man while he played, the boy’s hands remained clasped behind himself while he teetered on his heels and listened. Emil rocked in the chair, finished his meal, and relit the pipe. Tam-Tam listened most absently and instead went for seconds in the pot; she turned with her lower back on the counter and watched the man with the guitar.
There was no other noise besides the song which felt haunted alongside the hum of the heater lamps. Once it finished, the boy clapped, Emil clapped, Tam-Tam nodded, and Gomez bowed then sat the guitar beneath the porthole by the doorway.
“Thank you,” said Gomez.
“That’s quite good,” said Emil. As if spurred on by the music, the man gently rotated a palm around his stomach and rocked in his chair more fervently, “Where’d you learn to play like that?”
“All over,” said Gomez, “I like to pick up songs where I find them. Sometimes a fellow musician has a piece I like, almost never their own anyway, so I think we all share in some way.”
“Poetic,” offered Tam-Tam.
Gomez caught the woman’s eyes, nodded. “I guess it is.”
“Where’d you find that one?” asked Emil, “I heard it a few times but never this far north. It’s like a love song,” he offered the last sentence to the others in the room.
“You’re right—sort of,” Gomez placed his body against the wall by the door, glanced at the bowl of food he’d left on the floor then sighed and bowed again to lift it—the interloper tilted the bowl back on his bottom lip and sipped then casually leaned with the utensil against his sternum. “Somewhere in Mexico is where I heard it first. Maybe same as you.”
Patrick examined the guitar under the porthole, put his face directly up to the strings and peered into the hole in the center of the instrument; his expression was one of awe. He quickly whipped from the thing and stared at the guitarist and opened his mouth like he intended to ask a question. The boy stared at the scars on the interloper’s hands. “What’s those from?”
Not understanding the direction of the question, Gomez looked down to examine his fingers then shifted on his feet and nodded. “Mechanical work.”
Emil continued rocking in his chair and gathered the wool around his throat. “Where did you do that?”
“Zapatistas,” Gomez sipped from the bowl again and chewed, “It’s work I was never good at.” The young man shrugged.
“I wasn’t going to pry, but seeing as the boy’s asked, I’ll push more some if it’s not impolite.”
“It’s not,” Gomez agreed.
“That’s a lot of deep scarring for mechanical work,” Emil rocked in his chair, puffed, raised a furry eyebrow, “What stuff did you work on?”
“You want to know?”
Emil nodded, withdrew the pipe from his mouth and rolled his wrist out in front of himself then slammed the mouthpiece into his teeth.
“I worked with the army, but before then—well there was a boy, a little Chicano lad taken into one of the El Paso houses way back and all the girls that worked there loved him, but his mother perished, and no one even knew who she was. That was, oh,” Gomez tilted his head back and stared at the ceiling, “Twenty-two years ago or a little more.”
“Your hands?” asked Tam-Tam.
Gomez smiled warm and continued, “Well this little boy was given a name, but what’s in a name?” He seemed to pose the question to Emil who shook his head like he didn’t understand.
“I don’t understand,” said Emil aloud.
The younger man continued with the tale, “There was this boy, but he was taken over the Republican border by a group of desperados calling themselves Los Carniceros,” Gomez angled down to look at the boy, “Patrick, do you know what a desperado is?”
The boy shook his head, his expression one of total bafflement and a twinkle of nervousness. “A music-people?”
Gomez laughed heartily while Emil shuffled under his wool blanket—the older man stopped rocking in his chair, craned forward so his elbows rested on his knees and his thermals showed as the blanket slipped around his armpits. The hum of the heater lamps continued beside the silence.
“Los Carniceros are a group of fancy criminals that hail out of Veracruz, but they have networks all over. San Luis Potosi.” Gomez’s eyes locked with Emil’s, “Durango. They have connections with the cattle industries all over Mexico. Their name’s tongue-in-cheek, but that shouldn’t fool anyone—they are just as ready to butcher a man as they are a cow. They control the food; they control the politicians; they control trade.” Gomez shook his head. “I’ve gotten carried away. This is no history lesson. There was a boy taken into Los Carniceros territory. He was bought—I’m glad that never happened to you, Patrick—boys that are bought are never kept good for long. So, they brought Johnny-Boy, that’s what they called him, into their inner circle and they used to have Johnny-Boy fight dogs in a ring for the amusement of Los Carniceros’s officers. Sometimes they gambled on the whether the boy would die, but he never did.”
Tam-Tam shivered aloud and rubbed her biceps with her hands and shook her head. “What’s that have anything to do with your hands?”
“You’re right,” said Gomez, “I guess what I mean is when you spend time fighting dogs, they bite—they bite hard, and they break skin that needs to heal. But just as well as dogs bite, so too does the boy that is raised as a dog.” Gomez shrugged.
“Quite the story,” said Emil; he’d refrained from rocking in his chair and stayed very still. “You fought dogs?”
“I did. It’s been a helluva long time, but you know I did, Emil Vargas.”
The older man took a long drag from his pipe then cupped the thing in his hands while his vision drifted around the room. “Have you come to take me back?” asked the older man.
The interloper shook his head.
Emil’s gaze drifted to the faces of Patrick and Tam-Tam. “Will it just be me?”
Gomez shook his head, “I can do you first. You won’t need to see it.”
“What?” clamored Tam-Tam, “What the hell is going on?”
Patrick stumbled away from the stranger, clung to Tam-Tam, and said nothing but began to let out a low sob.
Emil took one last drag and tossed the pipe to the counter. “It wouldn’t help to beg?”
“Would it stop you?” asked Gomez.
“Probably not,” nodded the older man, “Me first then.”
Gomez withdrew his revolver and Tam-Tam let go of an awful shriek as Emil’s head jerked back in his chair to the bullet entering his chest. At the second bullet, Emil’s limbs shot out from him like he was a star.
Patrick and Tam-Tam gathered around each other, shuffled to the counter of the kitchen.
Juan Rodriguez—that was the interloper’s real name—took a step forward and fired the gun again and Tam-Tam struck the counter and blood rained down from her forehead; to perhaps save Patrick, she shoved the boy away in her death spasm. The boy stumbled over onto his knees and when he raised his head, Juan towered over him.
Patrick, almost six, shook violently and wept.
“Turn around,” said Juan.
Patrick turned away from the interloper, stared at the corpses of his mother and father.
Juan fired the revolver one last time and the boy hit the floor; the man holstered the pistol and wiped his cheek with a sleeve. His face was touched with blood splatter; he searched the floor, found a scrap of canvas, bent to snatch it. He wiped his face clear with the canvas and sighed and tossed the scrap away.
The cabin was entirely quiet, save the hum of the heater lamps, and Juan set about clearing the bodies from the cabin, first by opening the door. He chucked the corpse of the boy into the snow by the door, piled his mother alongside him, and fought with the heavier corpse of Emil till Juan fell into the snow beside the others. He pulled himself from the thick storm, staggered through the whistle-blow wind and fought through grunts and mild shouts to close the door.
Upon spinning with the closed door at his back, he saw several of the heater lamps had gone out in the wind. Shivering, teeth chattering, Juan found Emil’s matches on the counter and set about relighting each of the heater lamps which had gone out; he did the act automatonlike, a person driven by force but no lively one.
Through the harsh outside wind, which sounded like breathing against the boards, he hummed a tune to himself that manifested into him whistling a light tune—the River Kwai March—then rifled through the cabinetry of the kitchen, went through the footlocker by the double bed and dumped the contents onto the floor; he kicked the personal affects—papers, trinkets—across the boards. Among the things, he found a shiny glass-reflective tablet, lifted it, pocketed the thing into his parka, then kept looking for what else might catch his attention. He found a small square picture, frameless, face down and lifted it to his eyes then angled over to the nearest heater lamp with it pinched by the corner. The photo was of a woman too young to be a mother—she was more of a girl, really; she carried a fat-bellied infant on her hip in one arm and with the other, she held up a dual-finger peace sign. Juan stared at the picture in complete silence then chuckled at the blank expression of the baby, then threw the square photo like a shuriken across the room; it thunked against the wall and disappeared behind the double bed, never to be seen ever again.
As it went full dark outside, the chitter sounds of outside became prevalent, and Juan went to the porthole by the door, pulled the curtains tightly closed and offered no response to the alien sounds which culminated around the walls of the cabin. It was delirium incarnate—abyssal noise which swallowed even the blizzard howl. Things moved outside and Juan went to the kitchen again, looked over the cabinet doors, opened and slammed them; he huffed with exasperation and moved to the pot where the cooled stew sat and began to eat directly from there with the ladle. His far-off eyesight glared into the dimness of the heater lamps, his face glowing by them, and once he was finished with the pot, he chucked the thing and watched the leftover contents splatter into a wild configuration across the single room’s floor.
Only after removing his boots, he fell onto the double bed, removed his revolver from the holster and placed it there on the well-maintained bedding beside himself; he slept with his parka draped over his torso.
He did not open his eyes for the insect noises of the outside.
In the morning, he promptly wiped sleep from his eyes, rebolstered his weapon, and stared across the room with a blank expression. In a moment, spasm-like, he removed the tuque he slept in to reveal a head of black hair, and scratched his fingers over his head. He replaced the tuque, went to the porthole; upon swiping away the curtains, he stared into the white expanse, the black forest beyond—he took the sleeve of his thermal shirt and wiped across the porthole’s glass where condensation fogged.
Knee-high snow hills spilled inward as he opened the door, and he kicked the snow out lazily and stomped into the mess while shouldering his parka on; the hood flapped helplessly till he stiffly yanked it down his forehead. The wind was entirely mild, still. Through goggled eyes, he examined around the entrance, but there was no sign of the corpses—he waywardly stomped through the heavied snow in the place he’d deposited them and there was nothing below the surface.
Juan stumbled through the high snow around to where the dugout stood alongside the cabin and traced a smallish hill where he crawled for a moment to gather his footing. Snow had fallen in through the high apertures of the dugout, but there was a small door-gate attached between two of the pillars which held the slanted roof of the dugout. After fighting the door-gate out, he squeezed through, removed a flashlight from the inner pocket of his parka and settled down the few steps which led into the earth. A bit of morning light spilled in through those spaces of the wall along the high points, just beneath the roof, but Juan held the flashlight in his mouth and began examining the mess of snow-dusted containers.
Along the lefthand were sacks, well preserved if only for the weather; he kicked a tobacco sack—there was a crunch underfoot. Opposite the piled sacks of grains, vegetables, and dried meats were many metal crates, each one with hinges. At the rear of the dugout were a series of battery banks which seemed to hum with electricity.
He stomped each of the sacks, cocked his left ear to the air and began making a mess of the dugout. One crate contained expensive wooden boarding, he tipped this over into the little hallway created by the goods and carefully examined the contents and then he went to the next. The next crate was bolts of fabrics and twine and he sneered, shook his head.
The interloper took a moment, fell rear-first on the sacks, pulled the flashlight from his mouth and pawed across his forehead and throat; he sighed and sat quiet—in a moment, he was back at the search, more furiously. He rocked his head backward, so the parka hood fell away; sweat shined his face. There were condensed snares and jaws and there was a small crate of maple-infused wine; Juan froze when holding one of the bottles up to the higher natural light. He grimaced but set the box of bottles by the entryway, removing one which he slid into his parka. The Clarkesville Winery stamp was impressed on the metal wall of the package.
After several crates of canned goods, his movements became more sluggish and Juan came upon a crate that seemed to be more of the same, but whenever he tipped it over for the contents to spill out, a smaller, ornate wooden box fell out and he hushed, “Fuck,” while hunkering into the mess to retrieve the box. Some old master carved Laelia Orchids into the grain alongside stalkish invasive sage; the wood—Acacia—was old but well kept. The bronze hardware shone cleanly enough.
The container was no longer than his forearm and he briefly held the thing to the high-light and moved to the entrance and fell haphazardly onto the strewn and half-deflated frozen tobacco sacks.
He opened the small box’s latch and flipped it’s top open and smiled at the contents and quicky slapped the box shut.
In a flash, he unburied his snowmobile with his hands, harnessed his guitar case to its rear, then trailed through the snow gathered against the side of the cabin, using the exterior wall as support with his hand. He came to the backside of the structure, tilted his head to gaze again over at the dugout then swiveled to look at the thick metal tank buried in the ground and marked by a big hump in the snow. Juan moved to the tank, brushed off the snow with gloved hands, nodded to himself. Quickly, he returned to the tank with a hand-pick and bucket he snatched from the dugout. With a few swings, fuel spilled through the punctures he’d created; he placed the bucket beneath the handmade spigots to catch the fuel—in seconds the bucket sloshed full as he lifted it and wavered round to the front of the cabin where the door remained open.
He doused the innards of the structure with the bucket and whipped the object against the interior wall then removed the matches from the counter. Standing in the doorway, he lit the awaiting inferno; the heat explosion pushed him wobble-legged outside while he covered his face from it; he hustled to the snowmobile without looking back.
The vehicle came alive, and Juan trailed across the plain he’d used the day prior. As the snowmobile met the sparse black tree line, the flames too met the fuel tank at the back of the cabin; a heavy eruption signaled, and blackbirds cawed as they trailed across the milk-blue sky.
Among the rush of trees there was a translucent figure and Juan roundabouted the snowmobile. Upon edging to the place of the forest, still very near the trapper’s cabin, Juan caught sight of a stickman among the wide spaced trunks. The noises exhausted from its face the same as a cicada’s tymbal call. Juan killed the engine, removed his pistol, leapt from the snowmobile.
The stickman fought in the snow with something unseen, bulbous-jointed limbs erratically clawed against the ground; it seemed more crab than humanoid. Juan approached with the pistol leveled out in front of himself. The stickman, a North Country native, took up great armfuls of snow as it tumbled to the ground, slanted onto its feet, then tumbled over again. It was caught in a bear trap and as the thing fought against the jaw, its leg twisted worse and worse, and the cicada call grew more distressed. Its hollow limb, smashed and fibrous like a fresh and splintered bamboo shoot, offered no blood at the wound.
“Huh,” said Juan, lowering the gun to his side. He shook his head. The stickman called to him.
The interloper returned to his snowmobile and went west.